A Quote by Shane West
I'm 25, but I was a kid on the set. But everybody was really great.
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So when it came to making the movie I guess I had a really good sense innately of what it was that makes Halloween really great. In that it is a holiday for everybody now. When I was a kid I felt like it was mostly for kids, maybe that's just the way it always is when you're a kid, but I think now more than ever it's for grown ups too. When I was a kid I don't think there were quite as many sexy adult costumes and we definitely didn't have all these Spirit Halloween stores that pop up every October.
When I was a kid, everybody loved Hulk Hogan, right? 'Eat your vitamins. Eat your vegetables.' Everybody over 25 hated him because he was corny, right?
When do you realize when you're a kid that you're going to be great and everybody else doesn't understand that? I don't know. I just felt I could beat everybody.
Obviously, I'm going to be embarrassing to the kid. There's just no way not. I just hope the kid has a really good sense of humor... My husband's very serious - he doesn't find me funny at all - so I'm hoping the kid is like, 'Mom is hilarious!' That'd be really great.
We needed to have a great set decorator, a great D.P., a great costume designer, everybody. Without all these people, we would have made a shitty movie.
I mean, it's so normal for everybody to have a huge ego, it's great. It's great. Otherwise, everybody would act like Bono, you know, really big.
Everybody that's on a set - from the director to the grips to the electricians - it's all about problem solving. So, as empowered as you can make everybody feel, that's really important.
Well, I was always really mature for my age. I'm an above-age reader. I'm not trying to come off like, 'I have a high IQ number. My parents gave me the test.' That's the way I was, I guess. I am still a kid. I love doing kid activities. I'm such a kid, but when I'm on set, I do like to be professional.
Cinema and theater - it's apples and oranges. You can't really beat movies. Yeah, when you're on an Oliver Stone set everybody brings their A game. Everybody brings their A game, from the top to the bottom and in between. In terms of theater you know there is no way to really duplicate that rush you get when you take an audience that is live and right there in front of you through the journey of a great play and you go through these emotions so that they can experience them without having to go through them themselves.
So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on New Girl, and what my experience on Veronica Mars was like. Everybody was just so great.
So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on 'New Girl,' and what my experience on 'Veronica Mars' was like. Everybody was just so great.
In the collaborative process, you create a real intimacy; everybody ends up sharing personal stories and personal observations and their philosophies, their psychological side. By the time you get to set, it just creates such a sense of trust and intimacy between the director and the actors. It's really, really great.
I never really set out to be a comedian, but as a kid, I loved doing sketches and playing characters. And then a great friend kept telling me I should be a comedian, so I followed her advice and gave it a shot.
I love real books, paper books, but I also love buying online, and I think that people are more willing to take a chance to read something if it's cheaper - sometimes books on the Kindle are $6. A hardback book is $25. For $25, it better be a really great book. Or you're going to be mad.
It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.
New York is turnt. It's really like 25 hours out here. 25/8.
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