A Quote by Shangela

You know, when you start thinking about residencies in Las Vegas, you have J.Lo, Britney, Mariah, those types of stars. So to be performing next door or across the street from them, I'm just thrilled beyond my wildest dreams.
Las Vegas honors women - Celine Dion, Bette Midler, Britney Spears. I love that Las Vegas celebrates women.
I go to Las Vegas--or at least I went to Las Vegas--because even though I knew everything that was sinister, calculating, and evil about it, I loved Las Vegas. Only in Vegas could I dare to fantasize that I was a Friend of Frank. Or that I was throwing the dice at Dino's favorite table. Or that I might luck out and sip bourbon with Rickles after his last lounge show. The D.I. oozed that kind of heady fantasy.
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas. You can pretty much do it all day and all night if you want to.
In Las Vegas, people know that the odds are stacked against them. On Wall Street, they manipulate the odds while you are playing the game.
The thing about making a documentary in Las Vegas is there isn't much to film apart from other people making documentaries about Las Vegas.
I'm one of the few reading and thinking people who loves Las Vegas for the vulgarity and omnipresence of the dream. The collective dream. There's something enormous about it. Let me say one thing: Las Vegas and cinema have similar roots. The country fair. The magician at the country fair. The vulgarity of the country fair.
I'm really fascinated by how the mob ethos permeates places like Las Vegas and Chicago. I have the book set in Las Vegas and Chicago for pretty specific reasons, some of which are that in both cases the mob history has become a tourist attraction - I'm actually doing a book signing in Las Vegas at The Mob Museum, which I am positively giddy about! - and I find that especially unusual. If you don't call these people "the Mafia" they're just a band of psychopaths killing people for profoundly dumb reasons.
I never envisioned that I would be able to bring something to the entertainment table that would fit Las Vegas. Vegas is so presentational; it's live theater and, for me, it's always been film or television, which isn't why people come to Las Vegas. So it's exciting to be apart of all of this, the thrust of the entertainment of Vegas.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas.
It's all about the audience and the people who support your work and respond to it. So, anytime I hear that 'Next to Normal' is affecting people, it goes beyond my wildest dreams of what I set out to do when I started to write 'Next to Normal.'
We go across lands, we go across water. And then the next logical step was to start flying just over a hundred years ago and of course, now we're going to look up at the stars and say what's next, what's out there?
I love performing in Las Vegas.
If what happens in Las Vegas is supposed to stay in Las Vegas, how did Harry Reid get out?
Sure, we loaned money to build hotels and casinos in Las Vegas. So what? Las Vegas borrowers were good customers.
I was always obsessed with other performers doing their thing, and Britney 'Live in Las Vegas' from 2001 is my absolute favorite tour DVD of all time.
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