A Quote by Shania Twain
I wanted to do a summary of my life and career. There’s been so many different looks, and so many types of songs that have become iconic, so it was just kind of fun to look back on everything
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It's about... my only strategy I've ever had in my career is to do as many different types of roles as possible, as many different types of genres. It keeps the fire in my belly.
When I look at music, everything is blurred, and I like it that way. I grew up like that, hanging out with different types of people who listened to so many different types of music. I never wanted to be part of any one clique. I loved it all.
My whole M.O. in my 20s was being in as many different types of films as you can. Working with as many different types of directors as you can. I think, in part, that's what I wanted to do as an actor.
I try to be eclectic in my choice of films. If I've done anything that's intentional in my career, it's to try to do as many different types of characters and as many different types of genres of movies that I can.
I just want to do everything. As broad as that seems, it's kind of the plan. There are so many different genres out there to do, so many different characters to play, so many different amazing actors and directors to work with. I'm just following my gut, and if it's speaking to me, then I'm doing it.
There are many, many types of books in the world, which makes good sense, because there are many, many types of people, and everybody wants to read something different.
I have so many songs, it's ridiculous. I love so many different types of music and tend to write all over the map, style-wise. R&B, rock 'n' roll, screamers, pop, good-time songs.
It's really interesting to just look at the career of a musician and a producer that went into many different genres and many different styles and many different places but always breaking the barriers between genres and at some point reinventing himself all along the way but also inventing things at the same time.
I went through a lot in middle school, and you always try so many different looks and try to be so many different people. I finally realized I'm awkward, I'm lanky, and I'm going to embrace it - make fun of myself and just laugh.
I don't have a type. I've dated so many different types, different personalities, different looks - from athletic to very non-athletic. The only thing I have to have is someone who is really motivated in life and challenges me. If I don't have that, I get bored.
We have many dreams and many different chapters in life and I think life is about chapters. For me, from the time I was pretty young, I always thought that if I was lucky enough to achieve my dreams and if I had financial security, at a certain point in my life I wanted to give back. I wanted, just corny as it sounds, to try and make the world a better place.
There are just so many different types of people that come into my studio, and secondarily, there's the idea of ideation, like, "Who are you and what do you see in yourself in this other person?" So many different people that you would see so many different things.
When I look back on the past two decades of my journey today, I guess many people would interpret my artistic practice as a kind of cross-media attempt. I have indeed tried many different kinds of media over the past 20 years and collaborated in many different ways with people from many different fields. However, I like to understand this process as a kind of compensation for having once lost my "right of choice," an exercise of free choice and taking responsibility for any consequences that might result from it. To be honest, it's a bit of a paranoid act.
Sometimes people get fairly obscure just for the creative license of it, and that can backfire. Iconic stories are iconic for a reason, and there are so many incredible, iconic history stories that have not been told that we don't need to go too deep in the well yet.
If you can see all my life, I've been training since a very young age. I've been competing in so many different competitions, so many different opponents, and so many different countries.
Frank [Zappa] always wanted to do a sound library - he sampled so many great musicians. For piano, for example, he sampled every octave, not just one (that you could just transpose electronically), and he did all different types of attack, with and without pedals, all that kind of stuff.
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