A Quote by Shankar Mahadevan

Who are critics? Do they know about music? Have they proved themselves in the field? I remember, when we came up with the music of 'Dil Chahta Hai,' some of the critics said that the songs sounded like jingles.
If critics were harder on the musicians that they love, there would be better songs. But as they grow older and they lose their talent, critics refuse to let them know that and protect them, and they get to the point where they put out music that just isn't up to the levels where they've already been.
I'm a 90s child and I have grown up on a staple diet of David Dhawan films, Baazigar, Rangeela and Dil Chahta Hai.
No, writing musicals is the hardest thing in the world. And it was really funny, because I remember when the South Park movie came out, there were some critics that said, 'Well it's obvious that in order to get it to be 90 minutes they filled some time with music.'
Aamir Khan told me that I was doing Sameer's character all wrong in Dil Chahta Hai
'Lakshya' is a different genre of movie. While 'Dil Chahta Hai' could be categorised as a romantic comedy, this is a war drama.
I was very focused when I wanted to make 'Dil Chahta Hai,' though it was difficult for me to convince people that I know how to make films and I will be able to direct and put a film together.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
'Dil Chahta Hai' is not the first film about friendship. 'Lakshya' is not the first film about war and coming of age.
'Horrible Bosses' is just blatant, outright fun. I've read some of what the critics have said, and it's incredible how mean critics can be about comedies... It's so ridiculous.
'Dil Chahta Hai' was too raw. We only thought about the film. We never thought where the film was going to go. We wanted to make a film on our own terms.
After 'Hamara Dil Aapke Paas Hai,' 'Hum Aapke Dil Mein Rehte Hai' and 'Mujhe Kucch Kehna Hai,' my presence as a director will be felt. These three films have been very successful and 'Badhaai Ho Badhaai' is going to be the climax. My work is finally recognised.
Everything I do is gauged under the shadow of 'Dil Chahta Hai.' Even 'Zindagi Na Milegi Dobara' and 'Rock On,' which are very urban films. So I am always seen through that lens.
With 'Dil Chahta Hai' being the first film and 'Lakshya' being the second, what people can expect from Excel Entertainment as a company, and from me as a director, is just good, clean entertainment. And hopefully, some residue of an idea or thought that you can take home and mull over.
What I like about music is the songs you can remember the lines of in a single second. The Beatles, The Rolling Stones... You can remember every line to their songs. But today, how often do you remember any of the lines to songs? I mean, I know that one of the Lily Allen's last albums is called It's Not Me, It's You. But I don't know how the songs go.
I don't focus on the critics. Everyone who is making any difference in any field has critics. As long as I feel like I'm doing what I'm supposed to be doing, then I don't worry about it.
I have grown up watching films like 'Dil To Pagal Hai,' and 'Kuch Kuch Hota Hai,' where all the leading characters had a substantial part to play.
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