A Quote by Shankar Mahadevan
When you do a pop album, the canvas is completely yours. There is no story situation forced on to your songs - you have the freedom to develop it right from the concept.
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That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
Apple, iTunes, and streaming services have made the single a more easy thing to access. What that's done has made the album as a collection of songs almost meaningless. But an album that has a concept or story or reason to be an album, if anything, has more meaning now than it ever has.
It's nice if you're making a regular pop or rock album and you get ten little songs. But I really try to make the album with one big story instead of ten small stories.
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
'Love Letter' is a concept album, and whenever I do a concept album - and I love doing concept albums more than any other kind of album - it allows me to get dressed, in a way, musically.
With a pop album you can listen to one or two songs from it, but a music album is really an experience. It's not something a whole lot of rock bands do.
Sometimes, a concept is needed to spark myself and the vocalist; sometimes a concept isn't necessary for that spark. It all depends on the moment, because I don't want to be that dude that every album has to be this story or that story.
The great music for so many artists - the Beatles, the Rolling Stones - was always at the moment when they were closest to pop. It would be easy for U2 to go off and have a concept album, but I want us to stay in the pop fray.
My life is about my journey, and your life is about your journey. You are completely unqualified to draw my map, and I am completely unqualified to draw yours. I hope you'll let me know all about the path you've found, so that I may judge it for myself against my own path, and have the freedom to choose between the two. But please don't try and drag me from my path on to yours, and I will be sure to return the favor.
I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.
I sing songs from the theater and pop songs. When I say 'pop songs,' I mean from the 90's. And I tell jokes. So it's sort of a stand up show meets a concert - not your traditional lounging across a piano cabaret show. It's much looser.
Of course, we wrote the songs accordingly and performed and recorded them that way. At that time, we really thought it was right, but you know, seen in retrospect, it made the album sound forced, and not really great.
At the end of the day, I think that music lovers are going to love me. I think the pop songs that are on my album will be loved by the pop listeners and the R&B songs will be loved by the R&B people. I think that each song has a broad enough sound that I won't be pigeon holed. At the same time I think it is appealing to many different audiences.
America's greatest contribution to the world is its concept of democracy, its concept of freedom, freedom of action, freedom of speech, and freedom of thought.
There is no right to deny freedom to any object with a mind advanced enough to grasp the concept and desire the state. -(from "The Bicentennial Man) story)
I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.
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