A Quote by Shannon Bream

When you find yourself on a pageant stage, there are a lot of unpredictable moments, and I think a lot of that translates to doing the live, breaking-news reporting that I do now.
When you think about Twitter, there are people all around the world reporting twenty-four seven, every second. They're reporting what they're seeing and what's happening around them. So there's a lot of potential for breaking news.
I think it's just about the machine is about reporting the news, and then reporting the news about the news, and then having those moments where they sit around and go, "Are we reporting the news correctly? I think we are." And then they go back to the and the cycle just sort of continues.
The good news is you can get a lot of information off the Internet for free and in a hurry. But I think the breaking up of the media, which is otherwise kind of healthy, has contributed to less actual reporting and a louder, more contentious, more divisive public discourse, highlighting conflict, sometimes falsely.
I've covered a couple wars and a lot of breaking news and a lot of cops-and-robbers situations.
I think a lot of funds get their ideas from Wall Street. I just like to find my own ideas. I read a lot. A lot of news. I just follow my nose. A lot of times it's a dead end, but sometimes there's value there.
I think a lot of hedge funds get their trades from Wall Street and get their ideas from Wall Street. And I just like to find my own ideas. I'm reading a lot; I read a lot of news. I'm addicted to it. I basically - I follow my nose on news stories.
I think that we're our own worst enemies in a lot of ways, especially when it comes to doing work where you're criticized a lot or doing work where there's a lot of hater directed at you; and to not constantly second-guess yourself.
I know that relationships can be a winding, sometimes unpredictable road... it just seems to me that, if you ever find yourself backed into a corner, and the only way out is a box, that you have sex in, on stage, on live TV... something has gone terribly wrong.
What I do on stage, you won't catch me doing off stage. I mean, I think deep down I'm still kind of, like, timid and modest about a lot of things. But on stage, I release all that; I let it go.
I think it's really important to be conscious of yourself and the world around you. For me, that meant reading a lot and reporting.
I think it goes back to me being a recording mixer and engineer. Because of all the technology now you can make music yourself and a lot of people are doing that now. I started out doing that a long time ago and I found when I did that I came up with a unique sound.
I think the commentarian has taken over, so now what you get is a lot less reporting and more opinion.
You don't have a lot of transplants in Baltimore. And I think that makes sports mean more to the people who live there. It translates to the passion of the fans and how the stadium reacts on Sunday.
I think they are paying a lot more attention to news now, by the way, in part because of national-security issues. A lot of young people have friends or family in the military today.
I feel really comfortable when the camera is rolling. I feel less comfortable in the moments before and after, like, "Okay, where do I sit now?" I find the social aspect of being on a project ... it's just a lot. There are so many new people, and it's a lot of introducing the most charming, most engaging, funniest version of yourself to, essentially, a bunch of strangers you already know too many details about.
If the breaking news story had to do with hard news, politics specifically, I had a lot to do with it. If it had to do with music, Kurt Loder was more involved.
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