A Quote by Shannon Hale

WANTED: DEAD OR ALIVE: RAPUNZEL For horse thieving, kidnapping, jail breaking, and using her hair in a manner other than nature intended! REWARD — © Shannon Hale
WANTED: DEAD OR ALIVE: RAPUNZEL For horse thieving, kidnapping, jail breaking, and using her hair in a manner other than nature intended! REWARD
You say that if we hadn't just gotten married, you would want to marry Miss Arkansas. Even if she can't spell. She can sit on her hair. A lover could climb that hair like a gym rope. It's fairy-tale hair, Rapunzel hair. We saw her practicing for the pageant in the hotel ballroom with two wild pigs, her hair braided into two lassoes.
Dakota tribal wisdom says that when you're on a dead horse, the best strategy is to dismount. Of course, there are other strategies. You can change riders. You can get a committee to study the dead horse. You can benchmark how other companies ride dead horses. You can declare that it's cheaper to feed a dead horse. You can harness several dead horses together. But after you've tried all these things, you're still going to have to dismount.
It was also her nature that caused her letters to avoid emotional pitfalls and confine themselves to relating the events of her daily life in the utilitarian style of a ship's log. In reality they were distracted letters, intended to keep the coals alive without putting her hand in the fire, while Florentino Ariza burned himself alive in every line.
I'm a cowboy, on a steel horse I ride, and I'm wanted (want-ed...!) dead or alive.
One painter ought never to imitate the manner of any other; because in that case he cannot be called the child of nature, but the grandchild. It is always best to have recourse to nature, which is replete with such abundance of objects, than to the productions of other masters, who learnt everything from her.
The body is never more alive than when it is dead; but it is alive in its units, and dead in its totality; alive as a congeries, dead as an organism.
When it was over, she gathered him in her arms. And told him the terrible irony of her life. That she had wanted to be dead all those years while her brother had been alive. That had been her sin. And this was her penance. Wanting to live when everyone else seemed dead.
I felt that there could be some anger. There could be some frustration that he has the tendency to take over the room, but I wanted all of those things to show in the grays of her hair and the fact that her hips are much wider than they probably were when she met him. I wanted it to show in the fact that her hair is not done up all the time. I wanted it to be a part of that every day that wasn't in your face. Because then for me, that's overacting. To me, that's not "being." I wanted Rose [in "Fences"] to be many things.
Commerce is no other than the traffic of two individuals, multiplied on a scale of number; and, by the same rule that Nature intended the intercourse of two, she intended that of all!
When a person go to jail, what people don't realize is you're alive, but you're dead to the world. People forget about you. When you go to jail, you're a story.
My greatest reward is knowing for certain, as I do with many other acts and artistes, that without Jonathan King being alive and involved, Genesis would not exist, and the guys would have had careers as intended - as accountants and lawyers!
Baptism into this Church is a serious thing. It represents a covenant made with our Heavenly Father. It is much more than a right of passage. It is a gateway to a new manner of living, and a new road on which to walk that leads to immortality and eternal life. It was never intended as a dead end. It was intended to open a glorious and wonderful way of life to all who would walk in obedience to the commandments of God.
If idioms are more to be born than to be selected, then the things of life and human nature that a man has grown up with--(not that one man's experience is better than another's, but that it is 'his.')--may give him something better in his substance and manner than an over-long period of superimposed idiomatic education which quite likely doesn't fit his constitution. My father used to say, 'If a poet knows more about a horse than he does about heaven, he might better stick to the horse, and some day the horse may carry him into heaven'
In Spain, the dead are more alive than the dead of any other country in the world.
It is an error to divide people into the living and the dead: there are people who are dead-alive, and people who are alive-alive. The dead-alive also write, walk, speak, act. But they make no mistakes; only machines make no mistakes, and they produce only dead things. The alive-alive are constantly in error, in search, in questions, in torment.
There's not one woman in America who does not care about her hair, but we give it way too much value. We deprive ourselves of things, we use it to destroy each other, we'll look at a child and judge a mother and her sense of motherhood by the way the child's hair looks. I am not going to traumatize my child about her hair. I want her to love her hair.
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