A Quote by Shannon Hale

I know they are naught things, but I devour novels.” (p. 57). — © Shannon Hale
I know they are naught things, but I devour novels.” (p. 57).
My dad was only 57 when he died. That's one of the things that makes me worried. You never know what's around the corner. I don't want to go at 57 and not having done anything but played darts.
That which is alive hath known death, and that which is dead can never die, for in the Circle of the Spirit life is naught and death is naught. Yea, all things live forever, though at times they sleep and are forgotten.
Solitude is naught and society is naught. Alternate them and the good of each is seen.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
When I was a teenager and my brother Frank was in the World Series in '57 and '58 against the Yankees, Braves winning in '57 and the Yankees in '58, little did I know the next time these two teams would meet in the World Series, I would be managing the Yankees.
At the close of the day when the hamlet is still, and mortals the sweets of forgetfulness prove, when naught but the torrent is heard on the hill, and naught but the nightingale's song in the grove.
All things in my novels are real for me. Some western critics said that Garcia Marquez's novels are magic realism. However, I believe that Marquez must have experienced everything in his novels.
Far must thy researches go Wouldst thou learn the world to know; Thou must tempt the dark abyss Wouldst thou prove what Being is; Naught but firmness gains the prize, Naught but fullness makes us wise, Buried deep truth e'er lies.
My mother used to always say to me, 'Do naught, get naught.' It's an adage that I hold by. If you don't do anything, you can't really expect anything.
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
I tell you naught for your comfort, Yea, naught for your desire, Save that the sky grows darker yet And the sea rises higher.
Fear, true fear, is a savage frenzy. Of all the insanities of which we are capable, it is surely the cruelest. There is naught to equal its drive, and naught can survive its thrust.
In this world of change naught which comes stays and naught which goes is lost.
The difference does not lie in the things that news does that novels do not do, but in the things that novels do that news cannot do. In other words, this basic technique of news - just one among many - is something a novel can use, but a novel can deploy a multitude of other techniques also. Novels are not bound by the rules of reportage. Far from it. They're predicated on delivering experience.
The Neapolitan novels have a lot of references to things outside, to things of the world, to culture, politics, the city of Naples. People have mentioned that Naples is like a character in the novels.
People who know and read comics know that there's a huge diversity amongst the types of stories. Nobody ever goes 'how many more of these movies based on novels are there going to be?!'. People laugh at that question and they go novels, there are all different types of novels. But there are all different types of comic books, they just happen to have drawings on the cover!
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