A Quote by Shannon Lee

My father chose the yellow-and-black tracksuit that he wore in 'Game of Death' to represent his idea of 'the style of no style.' — © Shannon Lee
My father chose the yellow-and-black tracksuit that he wore in 'Game of Death' to represent his idea of 'the style of no style.'
As a kid I wore my team's tracksuit all the time. Splash pants or track pants. I wore a hat every day. And then when I got to the NHL, guys would make fun of me that I had the worse style in the league.
Kelvin Gastelum, there's many ways I can classify his style. I like it. He's improved. One thing I can say is that he's improved over his run in the UFC from 'The Ultimate Fighter' and now being a contender. But his style? It's very Mexican. You have the Mexican style of boxing, and he has a Mexican style of MMA, like smart Mexican style.
Style has become very important, the whole idea of style, what your personal style is. It's your identity.
A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.
'Death Sentence' really is a throwback to the '70s style revenge drama with moments of action. It's like a contemporary 'Death Wish' with a much more thriller style storyline, but the action scenes I shot very much in the style of '70s films like 'The French Connection.'
Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.
I like speed, I like passion, I like this style of football. Bayern Munich, for example, are very successful and play another style. I respect their style and it is another idea about football that is very successful but, if I had to choose what style I like most of all, it is the style we play.
I have a fairly limited drawing style. I'm not like my friend Derek Kirk Kim, who can pretty much change his style at will. My drawing style can handle some of my stories, but not all of them.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style.
Style! style! why, all writers will tell you that it is the very thing which can least of all be changed. A man's style is nearly as much a part of him as his physiognomy, his figure, the throbbing of this pulse,--in short, as any part of his being is at least subjected to the action of the will.
The cool thing about dope black style becoming in style is that the industry has no choice but to try and reduplicate that.
My style is raw; my style is '95. My style is what I live. My style is my story.
In terms of style I typically veer toward a certain masculinity. My style inspirations range from images of my father in his 1970s suits, to Tilda Swinton, to Hugh Hefner, to Sharon Stone and her ferocious sexuality, to handsome men I see on the streets of New York.
The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.
I see other black women imitate my style, which is no style at all, but just letting our hair be itself. They call it the Afro Look.
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