A Quote by Shannon Purser
I feel that responsibility to really be authentic with people because I think that's what they deserve, especially in a time when it's very easy for people in the public eye to sort of cultivate an image.
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It's something that I know how to do because I taught for a very long time, so I can do it, and I feel a responsibility to do it - for instance, in this situation, where I'm touring specifically for this period of time. But most writers are not public people. There are a few writers out there who really enjoy it and are good at it, and can both work and do that at the same time, but I'm not one of those people.
It's really important for women in the public eye to be open - these pop stars who don't look, behave, speak like real women - that's not fair on women. Being real, honest, authentic - too many women in the public eye are afraid to be authentic because they are afraid they will be judged.
I feel like it is easy to get people to see eye-to-eye with you on little things, but if I were to talk about my faith as a whole, people tend to turn off to that. They feel like you are trying to persuade people to think like you do, and that's not really what I'm trying to do.
People become actors because they want to hide, and it's not easy to talk about myself. I accept that a certain responsibility goes with being an actor in the public eye, but I haven't found a comfortable way to deal with it.
What happened in the 80's was that all the men died of AIDS. That was a particularly depressing time because so many people passed away and it was a very desperate and lonely time, so I think a lot of people felt that we were somehow, unreceived. Not only by the disease but also by the public image of the disease. It really gave homophobia a real shot in the arm and changed the way people viewed gays, queers. It became an entirely different atmosphere.
I think people have an idea in their heads about entertainers[and] celebrities. I think they feel like their lives are so perfect, and it's really hard to go through painful experiences when you are in the public eye because it's hard to have closure.
I've been a performer in the public eye for many years now and it's much darker. It feels so worse now. It feels heavy; it's difficult to deal with. The hatred is unbelievable, but I actually feel a lot more compassion for the journalists and people who aren't used to that. At least on some level, it's been a part of my world for a long time, so I can handle it. I'm not going to say that I'm used to it, because I'm not. I think it's really difficult for people who are just doing journalism and receiving death threats on a very consistent basis.
If you're in the public eye and you have young girls who look up to what you do, they're going to look to you for certain cues, so you have to take that as a responsibility, whether you think you deserve it or not.
I don't think it's easy for women to watch themselves age. And I think it's obviously doubly hard to grow older when you are a public figure and you constantly have to see your image all the time, and people are constantly pointing it out.
I'm never really conscious of saying, "I'm going to take on a specific role to combat a certain image in the public eye." I think that's pretty manipulative and transparent to the public anyway.
I never think of my audience when I write a poem. I try to write out of whatever is haunting me; in order for a poem to feel authentic, I have to feel I'm treading on very dangerous ground, which can mean that the resulting revelations may prove hurtful to other people. The time for thinking about that kind of guilt or any collective sense of responsibility, however, occurs much later in the creative process, after the poem is finished.
I really feel a sense of responsibility first as a creation of a force that I call God, that's bigger than myself. And because I'm black, I feel the responsibility to that. I feel the responsibility to my womanness. But more importantly, I feel a responsibility to my humanness.
I want to be very authentic when I perform, because I feel like I owe that to people listening. You can't go through the motions on music like this. You are making people feel a certain way, that you are not feeling yourself. It's like saying "I want you guys to cry, but I don't really care," which isn't right.
I didn't start off with the responsibility because I didn't think anybody would care. But as you do meet these people influenced by your music, then you start to understand you have a responsibility. I don't think you initially know it until you feel the power of what you're really doing.
People thought I was a really raw rapper that hated everything - a really sour person - but really I'm just a good, all-around music-making kid and I'm really happy. That really, I feel, painted my image to a lot of people. My music now, some people get sour over it because it's really happy, it's poppy, but I'm just telling them that that image from way back then was me feeling uncomfortable and now I'm comfortable.
I think with anybody who's doing well in the public eye or whatever, there's always gonna be a shift because people don't wanna see somebody happy all the time. And they're gonna try to take shots at people.
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