A Quote by Shanola Hampton
You get so used to a world that you complain, but never actually want anything different. Why crave the unfamiliar?
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I never complain: 'Oh, I have to go to the hospital and get platelets.' No. It's just something you have to do, so why complain about it?
It used to be that conservatives who were in government, like myself, we would get what we felt was unfair coverage, we'd go home, we would grumble, we would complain about it, but we actually wouldn't say anything to the reporter or to the reporters while they're asking us additional questions.
I've never understood why some people hesitate before diving into unfamiliar tasks or activities. I couldn't imagine wanting more instructions about anything.
I don't actually think I'm treated unfairly or anything. If anything, I sometimes can't understand why I don't see myself and the people I know represented more in films. Unless I'm going to go out and write them myself, I don't feel like I can really complain about it.
The biggest lesson I've learned . . . was that if you have all the fresh water you want to drink and all the food you want to eat, you ought never to complain about anything.
There are little Indian girls out there who look up to me, and I never want to belittle the honor of being an inspiration to them. But while I’m talking about why I’m so different, white male show runners get to talk about their art. I always get asked, ‘Where do you get your confidence?’ I think people are well meaning, but it’s pretty insulting. Because what it means to me is, ‘You, Mindy Kaling, have all the trappings of a very marginalized person. You’re not skinny, you’re not white, you’re a woman. Why on earth would you feel like you’re worth anything?’
A guest star is a whole different responsibility. It's much different than being a regular. You come in and it's a lot of unfamiliar faces and you want to try to fit in as best you can, but also you want to stay there without making waves.
And often when things turn to TV series there are so many different people with different agendas that things can morph. And so, you know, that was why having the executive producer title was important to me because even if I was the star and I had a concern, you know, that concern would only go so far. But having the title of executive producer actually makes them have to actually listen to me complain.
Four Lessons on Life 1. Never take down a fence until you know why it was put up. 2. If you get too far ahead of the army, your soldiers may mistake you for the enemy. 3. Don't complain about the bottom rungs of the ladder; they helped to get you higher. 4. If you want to enjoy the rainbow, be prepared to endure the storm.
I don't think it's anything you ever get used to... for many years, I could never sort of put my name in the same sort of category as the word 'famous' or anything like that. And I just found it very uncomfortable... if you get used to it, then something must be wrong.
If you want to achieve anything in this world, you have to get used to the idea that not everyone will like you.
I wasn't into anything at school. I used to get really embarrassed. I used to get asked to do performing things, and I'd go to all the rehearsals, and then I'd pretend to be ill on the day I had to actually perform. I was very unhappy at school.
What I do see in New York and I am amazed is how many rich women will complain about the cost of something and get things for free.I would never want to be like them, but I can see why they save money.
Dear Lord,' he said. 'let me be like Aron. Don’t make me mean. I don’t want to be. If you will let everybody like me, why, I’ll give you anything in the world, and if I haven’t got it, why, I’ll go for to get it. I don’t want to be mean. I don’t want to be lonely. For Jesus’ sake, Amen.
Travel opens different eyes to different things, shows things we've never seen before, shows the world from entirely different angles. That's the power of drawing and the power of travel. They both make the familiar unfamiliar and vice versa. They show what we all have in common and what we may have missed thanks to preconceptions that may have marred our vision.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
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