A Quote by Shanola Hampton

With 'Shameless,' 'Homeland' and 'American Horror Story,' these are all shows that don't follow a particular mold, and they are out-there. The acting is spectacular.
My wife and I have our date nights. We love the Showtime shows like 'Shameless,' 'Homeland' and 'House of Lies.' And of course, 'Scandal' is high on the list; you've got to do 'Scandal.'
Mr. Murphy is really, really amazing. I have admired him from the time that I saw the first season of 'American Horror Story.' I watched 'Glee,' but once I saw 'American Horror Story,' I was like: 'I'm working for him.'
I am coming to the end of acting. I have a list: another stage production, maybe one or two more movies, one more season of American Horror Story. . . and then that is it for me. Because I think that's enough. I want to go out with a bang. . . or should I say, a scare?
I like cable stuff; I really do - 'American Horror Story,' 'American Crime Story.'
I do watch 'Revenge,' 'American Horror Story' and 'Game of Thrones.' I am behind on all of them. But I do watch them. Those are my go-to shows.
While I don't like violent programs per se, I do like good storytelling, which made me a fan of shows like Breaking Bad and American Horror Story.
I have always loved westerns... supernatural westerns in particular. One of my first professional short story sales was a horror/western story. It wasn't so great, though, so I'm glad the magazine folded before it saw print.
One writes such a story [The Lord of the Rings] not out of the leaves of trees still to be observed, nor by means of botany and soil-science; but it grows like a seed in the dark out of the leaf-mold of the mind: out of all that has been seen or thought or read, that has long ago been forgotten, descending into the deeps. No doubt there is much personal selection, as with a gardener: what one throws on one's personal compost-heap; and my mold is evidently made largely of linguistic matter.
I didn't know 'Homeland' was going to be 'Homeland.' I just did it because it was a terrific script, and they pitched me the story line, and I was like, 'Huh, that's interesting.'
There's nothing worse than an ostentatious shot or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something. But it's not necessarily right for the film — you jump out, you think about the surface, and you don't stay in there with the characters and the story.
'Scream Queens' was so much fun, kind of like a big sorority. And 'American Horror Story' is very serious, like a really hip family of middle-aged women. The deaths were fun on 'Scream Queens'; the deaths on 'Horror Story' are very real and intense, and you have to be emotionally prepped for them.
The roles on 'American Horror Story' are so complicated.
Horror is a reaction; it's not a genre. Somebody's life would have to be in danger for it [story] to be a horror story.
In a field like acting, there is pressure of all kinds, and it becomes tricky to navigate this space. There isn't a particular path laid out to get what you want; you have to figure out ways to get there on your own. And yet, there is no guarantee of getting what you want. At times, you don't know whom to listen to or whose advice to follow.
I love 'Shameless' as a fan. But I love lots of television. And as an ensemble, I have never seen a group of people put on screen what 'Shameless' - the 'Shameless' cast as an ensemble and as individuals - in decades.
'American Horror Story' is dark, so you shouldn't be expecting too much happiness.
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