A Quote by Shaquill Griffin
Playing in Seattle, 'The 12' are extremely loud. At first, I could be on the field, two feet away from you and not hear a single thing you're saying. But once you get used to the noise, you use it to your advantage. It charges you up.
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'Milk and Honey' was written with me being honest to myself, kind of pulling at the things that I hear the most and saying that out loud, and you know, that thing that we hear the most is most universal, and so that rings true with all folks. The language used in the poetry is extremely, extremely accessible.
A lot of people forget that today. They come to the point where you walk on a set and the first thing you know you're looking at the sound man and you're saying to yourself, "How the hell can they get any sound when nobody is talking!" They get all mumbly. You can't make out what they're saying! And you're 6 feet away from them! Whereas in the old-time movies, you hear them, you understand every word they're saying, and you didn't have to put on your loudspeaker.
The road makes a noise all its own. It's a single note that stretches in all directions, low and nearly inaudible, only I could hear it loud and persistent.
No matter how loud the stadium is, once you're on that field and that offense walks up to the line, it's silent. You can only hear the guys on the field. It's amazing how much concentration you can have when it's required and how powerful your mind is to give it to you.
I rolled back onto the lawn and pressed my forehead to the ground again and made the noise that Father calls groaning. I make this noise when there is too much information coming into my head from the outside world. It is like when you are upset and you hold the radio against your ear and you tune it halfway between two stations so that all you get is white noise and then you turn the volume right up so that this is all can hear and then you know you are safe because you cannot hear anything else
Mr Hemingway does it extremely well. Nothing matters. Everything happens. One wants to keep oneself loose. Avoid one thing only: gettng connected up. Don't get connected up. If you get held by anything, break it. Don't be held. Break it, and get away. Don't get away with the idea of getting somewhere else. Just get away, for the sake of getting away. Beat it! "Well, boy, I guess I'll beat it." Ah, the pleasure in saying that
And that was as far as he got before i heard it. The thumping of footsteps, running up the lawn toward me: It seemed like I could hear it through the grass, like leaning your ear to a railroad track and feeling the train coming, miles away. As the noise got closer I could hear ragged breaths, and then a voice. It was my mother.
I also have a brand-new prescription for gunfire jitters: When the shooting gets loud, proceed to the nearest wooden staircase. Run up and down a few times, making sure to stumble at least once. What with the scratches and the noise of running and falling, you won't even be able to hear the shooting, much less worry about it. Yours truly has put this magic formula to use, with great success!
I wrote my first song at 12 and remember someone asking, 'What were you going through at 12 that you could write about?' I get what you're saying, but 11, 12, 13 were the hardest years of my life. You learn everything. You learn how horrible things feel.
I got used to certain things that normal kids don't get used to, like, when my mother went into the kitchen for things other than just cooking. I could hear the bottle open up and I could hear the chugs. Then the next morning, none of it was discussed. You grow up feeling crazy.
You think of it [voicing] as something where you not only don't //need// your body, but you don't even have it to use! There's nothing you can do with your body that's going to show in the final product. Maybe that's all the more reason I used my body so much to get whatever noise or sounds out of it I could. When it was needed to keep the energy up I found myself almost running in place! It is very physical.
I'm often asked how to start investing with little or no money. Please hear this as this is the hardest thing for people to understand: you do NOT invest with money! You invest with your mind! No matter what the field, your biggest asset is your mind. Once you have knowledge, you find deals, find your team and use other people’s money. You sell the deal and your team to get investment money.
I'm used to people being a mile away. That suits me. It's more nerve-wracking playing in front of people who are two feet away from me.
I don't want to get burned when I'm cooking. To avoid getting hit when pan-frying, I stand far away and use chopsticks that are almost two feet long. I learned it from my mom, who does the same thing.
When I was in Birmingham I used to go to a place called Redwood Field. I used to get there for a two o'clock game. Where can you make this kind of money playing sports? It was just a pleasure to go out and enjoy myself and get paid for it.
I used to hear all these guys on 78s at my mother's when I was a teenager... I used to daydream that I was onstage playing the solos; I'm playing with B.B. King, and I'm playing with Lowell Fulsom, Jimmy McCracklin. And I literally ended up being in a band that backed them up at different clubs.
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