In Northeast Ohio, nothing is given. Everything is earned. You work for what you have.
If I could play a game and not have to tackle, I know that I did everything right. I organized everyone the right way, read every play the right way.
Nothing was given to me, nothing was entrusted to me, nothing was assigned to me. Everything I have, I took by right.
I have inherited nothing. Everything Ann and I have we have earned the old-fashioned way.
I like eating the right way, doing things the right way. I never had to have my dad come and say, 'Hey, you have to get back to the gym' or, 'Hey, you're eating wrong.'
Cricket has given me everything. If I'm anything today, it is because of the game... where I have given blood, sweat, and tears.
I think everything happens for a reason. With my game being the way it is, if I did shoot 80 percent, I'd be a harder person to deal with. It just keeps me humble. Just imagine me in my game shooting the same percentage that Reggie Miller shoots. I wouldn't even talk to you guys because I wouldn't have to.
An important mentor for me, in terms of teaching me that there's a right way and a wrong way to do things, was probably my football coach. And playing football was one of the first times in my life that I realized nothing is given to you. You have to work really hard.
I wanted to be one of the best players of my era at my position. And I did that, and I earned that. No one gave that to me. I earned every single thing.
Again, like I said, I went out to play the game of baseball because I love to play it. I did it right. I did it the right way. I worked hard doing it.
The most horrible question students ask: 'How do you paint copper?' 'How do you paint flesh or glass?' You paint everything the same way: Right color, right value, in right spot. There are no prescriptions.
I don't storyboard. I guess it dates back to my days in live television, where there was no possibility of storyboarding and everything was shot right on the spot - on the air, as we say - at the moment we were transmitting. I prefer to be open to what the actors do, how they interact to the given situation.
I did 30 Minute Meals for five years on local television, and I earned nothing the first two years. Then I earned $50 a segment. I spent more than that on gas and groceries, but I really enjoyed making the show and I loved going to a viewer's house each week. I knew I enjoyed it, so I stuck with it even though it cost me.
In my humble opinion, again, to perform at Alabama, you must earn the spot and not have it given to you. You have to fight like crazy to keep the spot and that it's not guaranteed - it's week to week - and you'll play in a way that they have a chance to win a championship.
The passing game is timing and trust, expecting those guys to be in the right spot at the right time.
Game Over is a very frustrating game convention. In short, it means, 'If you were not good enough or did not play the game the way the designer intended you to play, you should play again until you do it right.' What kind of story could a writer tell where the characters could play the same scene ten times until the outcome is right?