A Quote by Shari Sebbens

I've only auditioned for one non-culturally specific role. I went through drama school and studied classic texts and played lead roles in 'Measure for Measure' and 'The Importance of Being Earnest' alongside a very culturally diverse group of acting students. But as soon as we graduate and enter the industry, all of those roles fall away.
I’m trying to get away from roles. I used to identify myself strictly in terms of my role, but when your roles fall away, part of you falls with them.
I have played lead roles, supporting roles and also miniscule roles in my career so far, and have never been image conscious.
I played Sanjay Dutt's role in 'Son of Sardar' in a Kannad film. But because roles aren't being discussed and published that much people tend to think that I am doing only negative roles.
It's, like, your classic journey from a drama school. I went straight to the three-year acting degree, and I waitressed throughout that to support myself and for the first six months after I graduated. Then I started to get commercials here and there, and then I got a couple of roles in Australia and then a more regular role on a TV series.
Racism itself is difficult to measure. We can measure hate crimes - which are absolutely an indicator. We can measure reports of discrimination. We can measure the number of times hateful words are being used across the Internet. Those things all help us measure racism, but it can sometimes be nebulous.
I think what Hollywood is learning at large is that there is profitability in stories that are culturally specific and that you can only address the universal through the specific.
In the 1980s, there was no category to stick me in. 'He sounds too smart' is what I was hearing. I realized that I had to become a member of the school of what I call 'ugly acting.' Which meant I wanted to do what Dustin Hoffman did very successfully: to play character roles, but lead character roles.
I give preference to scripts and of course, the importance of my role in the storyline. Still I am not after hero roles. I take such roles only when I find the scripts exciting.
An actor is an impersonator; he plays many different roles. If you played the same role all the time, God - that'd be a boring career. When you take on different roles and become a different person, that's called acting... It's a challenge.
As far as the lack of hits goes, I think perhaps it's because I've played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.
If you look at my acting career, I never played a role that was similar to anything my brother played. I was always cast as the bad guy or a gangster, because my brother didn't do those kind of roles.
What do we measure when we measure time? The gloomy answer from Hawking, one of our most implacably cheerful scientists, is that we measure entropy. We measure changes and those changes are all for the worse. We measure increasing disorder. Life is hard, says science, and constancy is the greatest of miracles.
In N.Y.C., I auditioned for mostly 'quirky friend' roles. Since casting directors in L.A. lacked a preconceived notion of me, I was able to reinvent my type a bit, which was essential in booking the role of Amanda on 'Ugly Betty.' I don't believe I would have auditioned for that role in N.Y.
The measure of the wealth of a nation is indicated by the measure of its protection of its industry; the measure of the poverty of a nation is marked by the degree in which it neglects and abandons the care of its own industry, leaving it exposed to the action of foreign powers.
I never ever played the lead role in a play, except at school. I guess the industry that we're in, boys that look like me don't get the lead role.
If you come from a normal family, you immediately start playing the role of a boy, a girl a man or a woman, but I'm sure you'll agree with me that those are only roles, limited roles, at that.
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