A Quote by Sharice Davids

The Kansas City metro doesn't get recognized often enough for the innovative and often model-building work that's going on here. — © Sharice Davids
The Kansas City metro doesn't get recognized often enough for the innovative and often model-building work that's going on here.
Fact is, inventing an innovative business model is often mostly a matter of serendipity.
People's outlook on Kansas City is always like, 'They let you rap in K.C.?' Or 'How's Dorothy and Toto?' They put Kansas and Kansas City together, when it's really separate.
When I got interested in football, nobody was cheering for Kansas City. Kansas City was trash. I said, 'That's my team.' Then what happens? We get Joe Montana and Marcus Allen.
I get recognized just often enough to keep my ego bouncing along, but not so much that I can't go places.
And Kansas City is at Chicago tonight, or is it Chicago at Kansas City? Well, no matter as Kansas City leads in the eighth 4 to 4.
I don't get recognized in England. Not at all. Every so often, I get recognized in other countries.
Your projects can often demonstrative new and innovative approaches that can be supported and eventually replicated with greater support from the public sector. Showing up and speaking up at city council and state legislature hearings are essential, but so is the project work.
When I go down to Mexico now, it's not quite like I'm in Kansas City, but maybe it's like when I'm in Atlanta the way I get recognized. That gives me a lot of pride.
All too often, a successful new business model becomes the business model for companies not creative enough to invent their own.
If you're going to build a lean enterprise, you can test and measure how often the company ships iterations, how often it fails, how often it is putting things in front of people that don't work.
I grew up in Kansas City from when I was about two years old to my mid-teens. Kansas City at the time was an amazing place, because there was so much music going on there. As a kid, I was playing there all the time and learning a lot about music.
I do love compliments, yet I'm often embarrassed to say what I think to the person when I get a compliment. I so often feel that they have not gone far enough.
The first professional training I received of any kind was when I was 14 years old and we were in Kansas City, Missouri. I attended the Kansas City Art Institute for one summer.
I talked with Quentin about where the character came from, and he told me Kansas City. I don't know how somebody talks from Kansas City, so I made him from New York.
I never intended to become a commercial filmmaker in the first place. What I do requires time and experimentation. Commercial work is often not the best way to get the most innovative work, because it's about money and marketing. Although advertising is now embracing non-commercial people.
I used to get recognized quite often as being a 'Soul Train' dancer. Quite often, which was great at times but sometimes was not so great. Especially, back at college, it was not so great. It was pretty tough.
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