A Quote by Sharmila Tagore

I worked with three designers in my heydays - Bhanu Aathiya, Shalini Shah and Mani Rabadi. Out of these, Mani was the least assertive and aggressive. I remember Bhanu used to be quite insistent and particular about her fees etc whereas Mani was too soft-spoken.
I saw Mani sir's 'Bombay,' and I wanted to be a Mani sir heroine.
I was very close to Mani Rabadi. She not only designed my clothes in some of my films, she was also a personal friend and guide when I was new to Mumbai.
I am a big fan of A.R. Rahman and Mani Sharma, and I went to a shop to buy these music directors' CD. But I had only Rs 100, and Rahman's CD cost more, so I couldn't buy both. So I bought Rahman's CD and stole Mani Sharma's CD.
One day, I got a call from Mani Ratnam sir's assistant, who said that the ace director was impressed after watching 'Naan' trailer and wanted me to do a cameo in 'Kadal.' I was on cloud nine and my joy knew no bounds. However, I had no other option than to say no since the date required by Mani Ratnam was exactly the release date of 'Naan.'
The most creative director I have worked with is Mani Ratnam.
I have worked with acclaimed filmmakers like Shyam Benegal, Mani Ratnam, Anurag Kashyap and Tigmanshu Dhulia.
I love Mani Ratnam's movies.
Mani Ratnam is my biggest inspiration.
It is everybody's wish to work with Mani Ratnam.
Mani Sharma garu's songs are great.
I loved 'Highway.' It was amazing. I have watched Imtiaz Ali's other films, too, and he is one of my favourite Bollywood directors, besides Vishal Bhardwaj and Mani Ratnam.
I feel that 'Rudraksh' is Mani Shankar's answer to Steven Spielberg.
Mani is not just my Godfather. He is almost like a father to me.
Suresh Krissna and Mani Ratnam are the ones who made me a superstar.
I personally like melodies. And Mani Sharma garu is the Melody Brahma.
Madurai G. S. Mani was my guru, and later M. Balamuralikrishna taught me a lot.
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