A Quote by Sharon Creech
I love the way that each book -- any book -- is its own journey. You open it, and off you go. You are changed in some way, large or small, by having traveled with those characters.
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We're at a point nowhere it has to change. We have characters that are not alive that are alive in the book. We have characters that never appeared in the book. We have a lot of events that didn't quite happen the same way in the book. But there's so much in the book, stuff we've passed in the timeline that I really thought was awesome, that I really wanted to get to.
The Bible is not a book that you can open and say, 'Now, Lord, put some magic into my soul that will open up the meaning of this book.' There is only one way really to understand the Word, and that is through wrestling with the circumstances and happenings of life.
When you open a book,” the sentimental library posters said, “anything can happen.” This was so. A book of fiction was a bomb. It was a land mine you wanted to go off. You wanted it to blow your whole day. Unfortunately, hundreds of thousands of books were duds. They had been rusting out of everyone’s way for so long that they no longer worked. There was no way to distinguish the duds from the live mines except to throw yourself at them headlong, one by one.
The best way to get kids to read a book is to say: 'This book is not appropriate for your age, and it has all sorts of horrible things in it like sex and death and some really big and complicated ideas, and you're better off not touching it until you're all grown up. I'm going to put it on this shelf and leave the room for a while. Don't open it.
Doing it your own way, not having to go exactly by the book to be successful.
A travel book is a book that puts you in the shoes of the traveler, and it's usually a book about having a very bad time, having a miserable time, even better. You don't want to read a book about someone having a great time in the South of France, eating and drinking and falling in love. What you want to read is a book about a guy going through the jungle, going through the arctic snow, having a terrible time trying to cross the Sahara, and solving problems as they go.
By the time I was writing the second book, my life had changed rather dramatically, thanks to the intervention of television, and I needed to find a way to discuss that. Otherwise the big, fake book would not be true on some level.
I think each book sort of finds its own theme as it goes on. 'Warded Man' was fear. 'Desert Spear' was exploration of the other. 'Daylight War' was relationships. Some of this is intentional, and some of it evolves naturally. The series as a whole is obviously something I have given a lot of thought to, but each book is its own animal as well.
The book, the idea of a book or the image of a book, is a symbol of learning, of transmitting knowledge.. I make my own books to find my way through the old stories.
The real power of this book comes from its documentation from major sources. In fact, you will quickly discover that most of my documents about Jewish Supremacism are from Jewish sources. They argue more convincingly for my point of view than anything I could write. I encourage you to go to the sources that I quote and check them out for yourself. In this book I take you along with me on a fascinating journey of discovery in a forbidden subject. I urge you to courageously keep an open mind while you explore the topics ahead, for that is the only way any of us can find the truth.
'The Things They Carried' is labeled right inside the book as a work of fiction, but I did set out when I wrote the book to make it feel real... I use my own name, and I dedicated the book to characters in the book to give it the form of a war memoir.
In the course of writing a book I'll produce loads of pieces of paper to help the novel itself. Diagrams, charts, family trees. And at the end of each book I'll pack it all away. It takes me a while to do it - it's like a relationship that way; there's a period of letting - go, of grief, in a way - but then I box it up, label it, and put it in the attic.
I believe we all have a unique journey, whether its a journey of pure energy, if there's any intelligence within the journey. But I think each of us have our own way of dissipating or entering a new field.
I'd love to do an action film. I'd love to do a film based on a book series; I love to read the book and then go see the movie. I'd love to have a show on Disney; I love working for them. And I'm also working on getting some new music out of my own.
The challenge is always to find the good place to end the book. The rule I follow with myself is that every book should end where the next book would logically begin. I know that some readers wish that literally all of the threads would be neatly tied off and snipped, but life just doesn't work that way.
I like characters who are changed, often for the better, by the dark nature of their experiences. I also can become engaged by a character for whom I wish to see justice done, one way or the other. In general, I require a book to have some sort of moral center.
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