A Quote by Sharon Creech
Don’t be in too much of a rush to be published. There is enormous value in listening and reading and writing—and then putting your words away for weeks or months–and then returning to your work to polish it some more.
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If your work is done on the phone, then surely you can set up some kind of wireless system. If your work involves reading or writing reports, then this too could be done outside.
Work like hell. I mean you just have to put in 80 to 100 hour weeks every week. [This] improves the odds of success. If other people are putting in 40 hour work weeks and you’re putting in 100 hour work weeks, then even if you’re doing the same thing you know that you will achieve in 4 months what it takes them a year to achieve.
Every now and then go away, have a little relaxation, for when you come back to your work your judgment will be surer. Go some distance away because then the work appears smaller and more of it can be taken in at a glance and a lack of harmony and proportion is more readily seen.
One nice thing about putting the thing away for a couple of months before looking at it is that you start appreciate your own wit. Of course, this can be carried too far. But it's kind of cool when you crack up a piece of writing, and then realize you wrote it. I recommend this feeling.
The way I found time to write 'The Imperfectionists' was that I took work as a copy editor at the 'International Herald Tribune' in Paris, working full-time for approximately six months, then taking my savings from that and writing full-time, then returning after six months, and so on, until the book was done!
I look at my first books and am glad they weren't published.... You start writing by imitating your heroes, then you keep the heart of that worship in your work. As time goes by, you get other influences and find your own voice.
Some surveyors live for the work, putting in weeks or months at a time in remote locations. With a young family and hobbies that I'm passionate about, that isn't the path I've chosen. Like in many careers, you need to make your own decisions and follow your own path.
Master those books you have. Read them thoroughly. Bathe in them until they saturate you. Read and reread them…digest them. Let them go into your very self. Peruse a good book several times and make notes and analyses of it. A student will find that his mental constitution is more affected by one book thoroughly mastered than by twenty books he has merely skimmed. Little learning and much pride comes from hasty reading. Some men are disabled from thinking by their putting meditation away for the sake of much reading. In reading let your motto be ‘much not many.
So much magazine writing is playing to an empty room. You work like a plow horse, your words get printed on a half-million or more copies, and then it often just disappears into this national vacuum.
Different types of dangerous lives-You have no idea what you are living through; you rush through life as if you were drunk and now and then fall down some staircase. But thanks to your drunkenness you never break a limb; your muscles are too relaxed and your brain too benighted for you to find the stones of these stairs as hard as we do.
When you work too much, it affects your health. Then you start working out and dieting. And, more importantly, you miss your family.
We should all know this: that listening is not talking; [it] is the gifted and great role and the imaginative role. And the true listener is much more beloved, magnetic than the talker, and he is more effective, and learns more and does more good. And so try listening. Listen to your wife, your husband, your father, your mother, your children, your friends; to those who love you and those who don't, to those who bore you, to your enemies. It will work a small miracle. And perhaps a great one.
I was writing blogs before work, then I was writing at work, and then I started writing books on the weekend because you just have that sort of energy in your 20s; it's wonderful.
You learn so much with each book, but it's what you teach yourself by writing your own books and by reading good books written by other people - that's the key. You don't want to worry too much about other people's responses to your work, not during the writing and not after. You just need to read and write, and keep going.
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
The way it works in commercials is they come to you with the script, and then you do the visual, you do the storyboards, and you give your vision of it, but it's very much their baby. You just kind of put your polish and sheen on it and your interpretation of it, but it's very much the agency's idea.
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