A Quote by Sharon Gannon

If you were a fish, and you were to touch a doorknob, you would be able to feel the presence of every person who had touched that doorknob during the course of a day.
I put my hand on the doorknob because I thought maybe her hand was on the doorknob on the other side.
I can feel his presence here in every stone he has touched, every person he has lifted up, every street and alley and city that he has changed in the few years of his life, because he is the Republic, he is our light, and I love you, I love you, until the day we meet again I will hold you in my heart and protect you there, grieving what we never had, cherishing what we did. I wish you were here. I love you, always.
Alice: I simply must get through! Doorknob: Sorry, you're much too big. Simply impassible. Alice: You mean impossible? Doorknob: No, impassible. Nothing's impossible.
Realistically, I shouldn't be able to turn a doorknob without having some discomfort.
There's no such thing as a bad day when you have a doorknob on the inside of the door.
If I were asked to think up a new name for temptation, I should recommend the word 'doorknob', because what are these protuberances put on doors for if not to tempt us.
If U.S. Grant had been leading a team of baseball players, they'd have second guessed him all the way to the doorknob of the Appomattox Courthouse.
I think every girl needs a good lip split story, I have one. I fell onto my front door doorknob coming back from the mailbox, once.
Just a turn of the doorknob, and there lies freedom.
Beautiful Hannah. If you were mine, I'd lay you on silk sheets and wrap you up in ropes of pearls, and feed you honey from a silver spoon. Of course, you wouldn't be able to make all your high-minded judgments if you were a fallen woman...but you wouldn't care. Because I would pleasure you, Hannah, every night, all night, until you forgot your own name. Until you were willing to do things that would shock you in the light of day. I would debauch you from your head down to your innocent little toes-" "Oh, I despise you.
When a person disappears, everything becomes impregnated with that person's presence. Every single object as well as every space becomes a reminder of absence, as if absence were more important than presence.
The Lady Amalthea beckoned, and the cat wriggled all over, like a dog, but he would not come near... She was offering her open palm to the crook-eared cat, but he stayed where he was, shivering with the desire to go to her"...[later, Molly asked the cat] "Why were you afraid to let her touch you? I saw you. You were afraid of her." "If she had touched me," he said very softly, "I would have been hers and not my own, not ever again. I wanted her to touch me but I could not let her. No cat will... The price is more than a cat can pay.
If you can read and have more imagination than a doorknob, what need do you have for a 'movie version' of a novel?
Poetry is any page from a sketchbook of outlines of a doorknob with thumb-prints of dust, blood, dreams.
Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story.
When my father and I were off in the woods or off fishing, we were communicating all the time. We didn't catch many fish and my father was a pretty good fisherman but he just like to take one or two fish and then we would make camp and broil those fish and eat them.
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