A Quote by Sharon Kay Penman
I do not set specific work hours as some writers do. I generally stay with a chapter until I am satisfied, do very little rewriting, and if a scene is going well, I've been known to keep night owl hours.
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There's people who can, like, dive into material for hours and hours and hours and work on one tiny little specific thing without getting bored of it. Learning how to do that was, like, very useful.
I sleep 12 hours and then work 24 hours. I've worked those irregular hours for the past three years. It's better to stay up day and night to come up with ideas. I usually get inspiration for game designing by working this schedule.
For a writer, New York works well. Literary work is very elitist. I worked two hours a day, maximum, and the time after that was very agreeable. I walked a lot with pleasure. Those two hours augmented the day. I wrote more here than in Paris, an entire chapter of a new novel.
I don't give my employees hours - some of them come in at 7 A.M., some at 10 A.M., some stay until 6 P.M. or midnight. They have that freedom to come and go as they wish, although they all put in more hours than your 9 to 5.
A big reason why we were able to and have been able to continue to succeed is that we had a very intense work ethic, right from the beginning. There was a do-or-die attitude toward the work. It wasn't seen as a little "club." It was like, "This is your life." We would spend hours and hours rehearsing and endlessly rewriting. We took it very seriously right off the bat. And we were also extremely critical of each other, which was another thing that was unique. A lot of comedy ensembles have a hard time being critical of each other, because they don't want to hurt each other's feelings.
I sit at the piano for a couple of hours and tinker away until I get something. I am a nocturnal spirit, like an owl.
I didn't do very well at school - teachers picked on me, I'm sure of it - and I'd stay out all hours of the night with my mates.
I also listened to hours and hours and hours and hours and hours of [J.F.] Kennedy, and I sort of built [ accent]. And then I got on set [of 'J.F.Kennedy' movie ] and forgot it.But that's what you want to do. You want it to just be real. And I think authenticity was better than - people always talk about when an accent doesn't work, and the phrase you always hear is, "It was inconsistent."
I used to work in kitchens, doing 12 or more hours a day of physical labor, so today, eight to 12 hours of cooking, chatting or filming feels like a vacation. When I have a scheduled 'day off,' I spend several hours writing, then I clean until I crash from fatigue. I don't relax well.
I can stay in the bath for, well, the longest has been seven or eight hours. I get completely set up with my laptop so I can watch 'The Sopranos,' put out some scented candles, music. I have a towel nearby so I can dry my hand to change the music or the TV. I make a little heaven for myself. And then I just refill and refill.
It can be very thrilling being able to witness Viola Davis do her thing for hours and hours, but there are also no windows, and you're just in a room for fourteen hours trying to keep it together.
Back in the 1940s, people were sleeping on average just a little bit over eight hours a night, and now, in the modern age, we're down to around 6.7, 6.8 hours a night.
For me, rehearsal is very important, and I spend a lot of time doing it. Also, I work with my acting teacher for hours and hours before walking onto any set.
I moved to Hollywood when I was 22. I was married. I had a kid right away. And I had worked as a furniture mover amongst various other jobs, and I'd work eight, ten hours a day to support my family - and I'd come home and write for two hours a night or two and a half, or three hours a night.
He would use amphetamines to stay awake because he would have late night maneuvers that would go way into the early morning hours and he was given pills to stay up for the long hours.
I am not a big fan of very prepared standup. I like when Dave Attell writes and I appreciate it but I much more enjoy with he does crowd work. I'm not that kind of comic that prepares a specific set. If I see a comic do the same prepared set night after night I am so bored.
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