A Quote by Sharon Lawrence
My problem is: as a singer and a dancer, if I get it in my body one way, it is harder for me to be open to something new - to something else; to something that is really organically connected to the piece and not just to my perception of it.
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Lena Dunham or Miranda July, those people are sort of thinking about their work in a slightly different way than I do, where their whole body is a seed of what they're creating. I can't imagine watching Miranda's movies with anybody else playing her role, she's so integral. But for me, it feels more like every story is really individual. If I thought of something else, or thought it should be my body representing it, I'd fold my body into it. But most of the time I'm writing to get something out of my body.
If I was having a bad day, or if something was really getting me down -- boy troubles, whatever -- I wanted to go out and get a new piercing. It was definitely a release for me. Something that made me feel a little more strong or empowered. Because it was something that had to do with me and no one else.
When you get told that you have a disease, it's like: 'Really? Nah, it's all right. I don't believe that. It must be something else, I'm just making an excuse, let me push harder.'
Yeah, obviously we use vampires as a metaphor for something else, something deeper than just the supernatural. But there's just something about the bloodsucking walking dead, that can say so much to people. There are really so many people trying to get control over you on a daily basis and steal your soul in some way, take a part of you.
If something's wrong with my body, I make sure to address it right away and not try to let it linger because it creates a bigger problem. You just have to understand your body, and when your body tells you something you just have to react.
I think my interest in risk is pretty high, a lot higher than I think a lot of other people who are just looking for something to kind of define themselves, give them a set of fingerprints, and certainly is better for the pocketbook. For me it's always about trying new things and wanting to explore something else and something new of myself and of actors I really like.
But for me it's very difficult to finish music on my own. It's the fear of losing the fun. It's very easy to get a sketch of something or an idea together in a very short time, to try out something new, but to get a five minute track to play out is much harder, at least for me. When I start to construct something, it often ends in frustration.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
If I buy something new - a piece of clothing, a tie, a shirt, a suit - something old has to go. That's the way I avoid clutter, crammed closets and drawers. It keeps things in balance, and it really works.
For me, writing music is a way of processing the world. It's not a concrete thing, as in, "This piece is about giraffes." It's much more of an emotional sort of thing. I want people to find something out about themselves through my music, something that was inaccessible before, something that they were suppressing, something that they couldn't really confront.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
Somewhere in our search for reality we have passed something by, something important that we no longer find amid the bits and pieces of disassembled matter-something vital that we cannot build out of these parts. There is surely something else, some piece of divinity in us, something that was before the elements, and that owes no homage to the sun.
Creating a piece of software is always complicated because you're doing something new. If you just wanted something that had been done before you'd just use that old piece of software. So there are no repetitive tasks.
There's something missing in all this new new media craziness, and that is something that uses celebrity news as a way to get into a really serious analysis of our culture.
It is hard to communicate understanding because that is something you get by living with a problem for a long time. You study it, perhaps for years, you get the feel of it and it is in your bones. You can't convey that to anyone else. Having studied the problem for five years you may be able to present it in such a way that it would take somebody else less time to get to that point than it took you. But if they haven't struggled with the problem and seen all the pitfalls, then they haven't really understood it.
When someone asks me to do something, something new, something I don’t know about, and if I haven’t done it, I’ll say yes. Just so I can try something new. You never know what you might like.
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