A Quote by Sharon Needles

Every disposable job makes you partially suicidal. But I've always worked because I need to buy drugs and wigs so I could go out in drag and get wasted! — © Sharon Needles
Every disposable job makes you partially suicidal. But I've always worked because I need to buy drugs and wigs so I could go out in drag and get wasted!
Virtually every society that survived did so by socializing its sons to be disposable. Disposable in war; disposable in work. We need warriors and volunteer firefighters, so we label these men heroes.
I have watched every episode of 'RuPaul's Drag Race'... I know a bizarre amount of drag queens now. And it's weird because one of the guys that drives my tour bus in America drove the drag queen show before me, and I used to just sit there and hear all the stories so I could go tell my girlfriend because I knew what a big fan she was.
Education of course is a very empowering experience, so many people who went to school also managed to improve their quality of life much faster because they could get a job, they could get money, and with money you could buy things that you cannot buy if you don't have money.
You don't need personal fabrication in the home to buy what you can buy because you can buy it. You need it for what makes you unique, just like personalization.
I started wearing wigs when I was younger and had a thyroid disease that made my hair fall out. It was devastating. I thought, 'I could either have an issue with this, or I could go to the store and buy a wig.' And then I fell in love with wearing them, and I stuck with it even after my hair came back.
I was born to sell it as a kid. I think it's partially innate, and partly it's because my parents were always very clear: if I needed anything that wasn't a necessity, I was going to have to save my money and buy it myself. That meant not only did I have to buy basketball shoes, but I had to figure out how to pay for college as well.
In our childhoods we either get all the social and emotional and ethical skills we need to be well adjusted adults, or we don't. Some of us don't know how to tell someone we like them. A lot of us get depressed and get wasted. Why don't we do something that makes us feel better? Because we don't know any other way. When I didn't have enough skills I compensated with drugs and alcohol. It's like there was a hole in the wall and I put a poster over it.
I was desperate on Coming To America set - not to buy drugs or anything, but I had a person at home, a girlfriend who's telling you, "You're out the bills and food. You need this, you need that. And you either get it, or don't come back." That was me.
When it comes to drag, my favorite thing we can do is kind of push against the beauty standards of magazines. We don't need to look like supermodels. That what really makes drag special and makes it unique and makes it queer.
The reason everybody is so amazed and enamored with me right now is because I have worked every angle, I have worked every formula, I have worked every equation, I have seen every club, I have seen every performance, I have seen every joke, I have studied, I have done my job. That's why I'm good. It's not because I got up one night and decided I wanted to tell some f - -ing jokes.
If I had been literate, I wouldn't have sold drugs. I just wanted a job. I would have worked at McDonald's. And I would have put the same effort into the fries and mopping the floor that I would have put into drugs. I'm the kind of person that always wants to do a job the best I can. I don't believe in half-doing jobs.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
Anybody can see that the little money you get is half-wasted, because you cannot spend it to advantage. The worst food comes to the poor, which their poverty makes them buy and their necessity makes them eat. Their stomachs are the waste-basket of the State. It is their lot to swallow all the adulterations on the market.
I've always worked out. I've always gone to the gym. But it was always a chore, and it was always, like, 'Man, I've gotta go do this because if I don't I'll get all dumpy and out of shape and then no one will hire me for good roles.'
It's always been that I feel more masculine in drag than I do out of it. I only get called 'ma'am' out of drag and I only get called 'sir' in drag.
I've always been a sci-fi geek, and I've always loved it. It's my favorite genre of all. The irony of ironies is that, in my early career, I just really never worked in it. "Star Trek" was very interested in me, partially because I did "From the Earth to the Moon," and I was really interested in them, but the timing just never worked out.
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