A Quote by Sharon Needles

Drag really isn't just about exaggerating and celebrating femininity. Some drag queens want to look like monsters, some drag queens want to look like hot dogs. Really what it is is just dipping your toes in all the swimming pools of identity and allowing yourself. Because society really tries to compartmentalize humans in a certain way.
It's not just putting on a little bit of makeup and putting on a dress. Some drag queens duct tape their heads, some drag queens are bound and strapped and pulled in every which direction. To be in drag is no small endeavor.
I want to see some queer politicians, some drag queens and drag kings running for office and shifting the way that policy is made as well.
I always say that drag queens are like an exaggeration of women, and I'm like an exaggeration of drag queens. People ask, 'Why do you do your makeup so differently?' and I always say, 'Well, in a subversive art form, ask yourself why so many drag queens do their makeup exactly the same.' If you can do anything, why does everybody do the same thing?
Some drag queens want to get into drag and be sexy and date boys... that ain't me.
My favorite drag queens are Tammie Brown and Katya, so I like my drag queens a little left of sanity.
There's an old guard of drag, like the queens who got as big as they could possibly get before there was a TV show dedicated to drag queens.
A lot of people just feel really impacted and inspired by drag in ways that I don't think we, as self-absorbed drag queens, think about that often.
Drag is pastiche and parody and satire. Drag queens are never meant to be stars. We make fun of stars. Drag queens are the people that 'point' at the star.
Drag queens always base their personas on their favorite female icons. Mine was Barbie, who's not necessarily a human but is as iconic and beautiful as any woman. I started really pushing it because I hit a crossroads of, 'I don't want to look like a woman or a man. I want to look like a wind-up toy, a plaything manufactured in a factory.'
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
You can have a beard and do drag; you can be a woman and do drag. I've met faux queens. I've met kings. Anything that you want can be considered drag in the context.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
Drag queens are not pathetic creatures. Drag queens are fabulous and fun.
There's drag queens who lip sync brilliantly. There's drag queens who sing live brilliantly - none of those are me.
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