A Quote by Sharon Needles

I wrote my first album almost as an entitled child. 'Taxidermy' is written by a much more precarious, untrusting adult. — © Sharon Needles
I wrote my first album almost as an entitled child. 'Taxidermy' is written by a much more precarious, untrusting adult.
I love taxidermy. I collect taxidermy. I'm fascinated by the art of taxidermy. But on a more artistic level, I look at taxidermy as pulling something from the wild and taming it, and posing it in a style of your own personal pleasure that will last forever, and ever, and ever.
In certain circumstances where he experiments in new types of conduct by cooperating with his equals, the child is already an adult. There is an adult in every child and a child in every adult. ... There exist in the child certain attitudes and beliefs which intellectual development will more and more tend to eliminate: there are others which will acquire more and more importance. The later are not derived from the former but are partly antagonistic to them.
When making the first album, I think I wrote a song about every six months. The first album was so much about the vocals carrying it.
Well, I never got into the young adult headspace. With 'Twilight,' they are pretty adult themes, aside from maybe the first one, but even that. They're very adult themes, actually, particularly as the characters age. I never wrote for young adults. I wrote for myself, as an audience.
I grew up an only child, so I was so much more adult. My eldest daughter is 10, and I was so much more of an adult than she is. She just doesn't care for the real world. She's not interested.
I wrote in my first book that I was broken, and now it just makes me mad every time. This is why writing words in books is so precarious. This is why Jesus only wrote in the sand, right? I just - I hate that I wrote that.
'Unbreakable Smile' was based off one of the songs I wrote for the album - it was actually the first song I wrote for the album without realizing it yet. I think I wanted to name the album that because it seemed like that was just the theme of that chapter in my life and just the theme of all the songs put together.
I took a lot time to do the first album, and I was really happy about that album. I co-wrote the songs and it was a learning process. When I was working on that album I realized, for the first time, that I could write my own songs.
I've been a Mac guy for almost my entire adult life. I wrote my first college papers on a typewriter, but by the end of my freshman year - almost 20 years ago - I was on an IBM PC. Then, in 1984, I found the Mac, and I never looked back.
I don't think I wrote my first song until I was 25. And then everything I wrote ended up becoming my first album. I put my music online, and from that, things just happened.
I struggle to try not to read the press about my album. It was great when the first stuff came out to hear that people liked it, but at the same time at this point it's almost hard for me to read because as much as I'm uncomfortable with my voice, trust me, I'm more uncomfortable with the things I say. [laughs] To see it on a written page, it's like, "Oh my god. I told that guy I'm a hopeless romantic! What am I doing?"
All the songs that were written for that album are just all our first sophomore songs. So they're all from real life. Very sweet and very innocent. I think the theme of the album probably was just that it was our first record. ... Back when we were first making records, you didn't just make the music, you put a great deal of energy into the way it looked, and every word that was written on the whole thing.
The clash between child and adult is never as stubborn as when the child within us confronts the adult in our child.
There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
I think so much of young adult literature sort of gets ghettoized - the title 'young adult' makes people immediately discount it. And just like with books that get written for adults, there is plenty of young adult literature that is bad. But there is also plenty of young adult literature that is brilliant.
When you practice Dynamic Meditation for the first time this will be difficult, because we have suppressed the body so much that a suppressed pattern of life has become natural to us. It is not natural! Look at a child: he plays with his body in quite a different way. If he is crying, he is crying intensely. The cry of a child is a beautiful thing to hear, but the cry of an adult is ugly. Even in anger a child is beautiful; he has a total intensity. But when an adult is angry he is ugly; he is not total. And any type of intensity is beautiful.
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