A Quote by Sharon Needles
In the entertainment industry women are often judged. They judge bigger women, they judge black women, and older women too. We just don't do that in drag. Drag is open to everyone, regardless of gender, body shape or age.
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Marjan. I have told him tales of good women and bad women, strong women and weak women, shy women and bold women, clever women and stupid women, honest women and women who betray. I'm hoping that, by living inside their skins while he hears their stories, he'll understand over time that women are not all this way or that way. I'm hoping he'll look at women as he does at men-that you must judge each of us on her own merits, and not condemn us or exalt us only because we belong to a particular sex.
We love trans women; all of us know that drag wouldn't be an art form without trans women. I know that, RuPaul knows that, everybody in the gay community knows that. Trans women have always been a part of and the face of drag. And I can guarantee trans women will always be a part of 'RuPaul's Drag Race.'
Most drag queens dress up as super women, as an over exaggeration of the female form, because we like women, usually powerful women. I think that's why we are so over exaggerated; we are an amplification of the women who empowered us in our youth.
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.
From the second there was drag, trans people were doing it. And when cis women started being allowed in theaters, then cis women doing drag was part of theater.
I want all women - teens, young women, older women, pregnant women, ageing women - to love and accept themselves.
Strangely, while illiberal feminists treat conservative women as men in drag, men who identify as women are treated as women.
Market research shows that older women like seeing older women in ads, and that younger women do, too - because they see them and are not frightened of growing older.
Most people view female directors as female only, that we only deal with women's issues and women characters. Although most of my films have dealt with women, I do have work that deals with other matters, and I'm always open to different stories regardless of gender.
I think that women are often lumped into categories - single gals, or soccer moms, or career women, or women of a certain age. For some reason our society wants women to wear labels, and not only on their clothes.
What's surprising to me now is that now that I'm talking to a lot of women about this, so many women are doing this. Straight women, lesbian women, bisexual women, poor women, White women, immigrant women. This does not affect one group.
It's really important for women in the public eye to be open - these pop stars who don't look, behave, speak like real women - that's not fair on women. Being real, honest, authentic - too many women in the public eye are afraid to be authentic because they are afraid they will be judged.
I wanted to show the history and strength of all kinds of black women. Working women, country women, urban women, great women in the history of the United States.
There are many things that black women can continue to do to help black folk. First, black women have historically been among the most vocal advocates for equality in our community. We must take full advantage of such courage by continuing to combat the sexism in our communities. Black women, whether in church, or hip-hop, don't receive their just due. Second, when black women are in charge of child-rearing, they must make ever so sure to raise black children who respect both men and women, and who root out the malevolent beliefs about women that shatter our culture.
Really, drag is like, 'Oh, I'm putting on women's clothing,' but it's just clothing. The people who assign it as being for women is the culture and society.
The characters that I want to play are interesting women. I don't care if they're good women or bad women or vulnerable women or women with a lot of faults or women that we dislike intensely who are malicious.
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