A Quote by Sharon Needles

Most American adults know what a drag queen is, but as they're portrayed in films like 'Dressed to Kill' and 'Silence of the Lambs.' — © Sharon Needles
Most American adults know what a drag queen is, but as they're portrayed in films like 'Dressed to Kill' and 'Silence of the Lambs.'
A drag queen is one that usually goes to a ball and that's the only time she gets dressed up. Transvestites live in drag. A transsexual spends most of her life in drag.
When I'm channel surfing, and 'Silence of the Lambs' comes on, I have trouble turning it off. I wouldn't say that about 'Beautiful Mind.' It's a good movie, but I'm much more in awe of what Jonathan Demme did with 'Silence of the Lambs.'
I have an inner drag queen. Or rather, I feel like I was a drag queen in a past life.
I have a lot of talent and sometimes, you know, when people see you're a drag queen they go, 'Oh, he's a drag queen. That's what he does.' But I'm always excited to... stretch the boundaries on how they see me.
I feel like I am just an entertainer. It does not matter what form I take to perform and entertain. I think I deserve being called a performer because you don't call Tyler Perry a drag queen. You don't call Will Smith a drag queen and all the other mainstream artists who use the aesthetic of drag to entertain.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
By the time I got to 'Silence of the Lambs,' I was madly in love with close-ups because I'm madly in love with actors, and a basic premise of 'Silence of the Lambs' is the story about two people fighting their way into each other's heads.
I wanted to be a drag queen so badly. I'll bet I still own more wigs than any drag queen - I love me a wig.
I feel like I have an inner drag queen. Or rather, I feel like I was a drag queen in a past life.
In American films, Russians are often portrayed like cartoon villains without clear motivations.
The truth is I do take drag really seriously, and I think that there's kind of a place for that - to see it as this political and historical art form, and to want to continue pushing it in new directions. And also honor the old directions as well. So I'm sort of like a drag intellectual/drag queen.
I've loved the RuPaul model of drag, where you're an amazing drag queen, you're a smart and savvy business person, and you use those together to keep drag at the forefront of what people are talking about.
After The Silence of the Lambs and Hannibal, the audience would like to know where, when, and who arrests Hannibal Lecter for the first time. This is the story of Red Dragon.
I like the sensitive look of traditional French films and the fact that the children are often portrayed as rebels, but I also like the way the American tradition stylises everything and is full of fantasy around childhood.
Pittsburgh, for a while, became a production centre. There was one $400 million year. Hollywood was bringing productions in there. Films like 'The Silence of the Lambs' and 'Innocent Blood.' So my guys, the guys I worked with, were able to have careers and live at home. But then it dried up, and a lot of my friends left.
I have watched every episode of 'RuPaul's Drag Race'... I know a bizarre amount of drag queens now. And it's weird because one of the guys that drives my tour bus in America drove the drag queen show before me, and I used to just sit there and hear all the stories so I could go tell my girlfriend because I knew what a big fan she was.
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