A Quote by Sharon Needles

I come from what we call the pre-'Drag Race' drag world where I didn't start doing this with aspirations of being a reality television star, or this going any further than the small smoky bars of Pittsburgh.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
Drag Race' was, like, my outlet and finally being able to see myself in television and that was through Manila Luzon, who was a 'Drag Race' contestant. Manila was the first Asian queer person that I ever saw on mainstream media and 'Drag Race' really did that for me.
I was doing drag as just a hobby on the weekends to let my hair down. I never thought of drag was going to be my career and what I would be doing for the rest of my life. Once I made it onto 'Drag Race,' I'm like, 'Oh, OK - this is my calling.
It was like I have always had big dreams for my drag aspirations, and I talked myself into doing 'Drag Race.' I'm like, take a chance.
When I got the phone call that I was going to be on 'Drag Race' I thought I was going to win. I thought I was going to win 'Drag Race' before I was even cast. I'm not even being funny. I'm being serious.
To me, drag is about doing whatever you want, and nobody says anything. And 'Drag Race' is about doing what you're told and having it evaluated. I hate being judged.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
I was really grateful that The Vixen, especially, was on season 10 because she was having conversations about race. You can't ignore it, especially in the drag community, in the 'Drag Race' world.
I feel like I am just an entertainer. It does not matter what form I take to perform and entertain. I think I deserve being called a performer because you don't call Tyler Perry a drag queen. You don't call Will Smith a drag queen and all the other mainstream artists who use the aesthetic of drag to entertain.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
When I was on 'Drag Race,' it felt like a serious competition going on between drag queens... and then Katya and I were also there.
I'm such a Shangela fan. I think she exemplifies 'Drag Race' greatness. She's like the Tiffany 'New York' Pollard of 'Drag Race.' She's like a patron saint of reality TV.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
I guess drag queens, by nature, have to do everything. When you start being a drag queen, you're grabbing the microphone, hosting the shows. Then, you're setting the microphone down and doing the number. You're spending the day before doing your wigs and sewing your costumes. You're doing everything.
The process of going on 'Drag Race' is, in my opinion, more than a fiscal investment. It's cultural. It's the 'Game of Thrones' of reality TV.
When I started in 'Drag Race,' I didn't know anything about drag - my makeup was a mess, my hair was a mess, but I love what I was doing.
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