A Quote by Sharon Olds

The amount of horror one used to hear about in one village could be quite extreme. But one might not have heard about all the other villages' horrors at the same time. — © Sharon Olds
The amount of horror one used to hear about in one village could be quite extreme. But one might not have heard about all the other villages' horrors at the same time.
I thought I could capture the stories of the city on paper. I thought I could write about the horrors of the city. Horror stories you see. I tell you I didn't have to look far for material. Everywhere I looked, there were stories hidden there in the dark corners. . . . I wrote and still there were more. . . . No one would publish them. 'Too horrible,' they said. 'Sick mind,' they said. I thought I could write about the horrors of the city but the horror is too big and it goes on forever.
For a writer you have to be interested in different cultures, different backgrounds. You are not there to write only about your village. You're there to show a bit of your village, but also to understand other villages.
I don't think all the other wrestlers hear the same love from the fans that I do - they are extreme about it.
If I could have the tabloids stop writing as much about me, and still get paid the same amount that I do, then I'd be quite happy. But I suppose it comes with the other things. If I'm not in the public eye, and then I'm not wanted, and I'm not getting endorsements, I'm not being talked about, my records aren't going to be bought.
That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation.
Ezra Pound still lives in a village and his world is a kind of village and people keep explaining things when they live in a village.... I have come not to mind if certain people live in villages and some of my friends still appear to live in villages and a village can be cozy as well as intuitive but must one really keep perpetually explaining and elucidating?
Occasionally they came to villages, and at each village they encountered a roadblock of fallen trees. Having had centuries of experience with the smallpox virus, the village elders had instituted their own methods for controlling the virus, according to their received wisdom, which was to cut their villages off from the world, to protect their people from a raging plague. It was reverse quarantine, an ancient practice in Africa, where a village bars itself from strangers during a time of disease, and drives away outsiders who appear. (94)
You hear stories about the horror crashes of the Dakar Rally, which is a long 16-day race, and about people getting lost in the desert, and they're all true. Every 20 minutes, you were just about to crash. Bikes, cars and trucks all race at the same time.
I used to think about how I was conceived quite a lot when I was about 10 or 11, but I don't think about it at all now that so many other babies have been born in the same way.
My family actually lived in the same village for about 400 years. They had great stability until the last century. People lived and intermarried in small villages.
When I am talking about "It Takes a Village", I'm obviously not talking just about or even primarily about geographical villages any longer, but about the network of relationships and values that do connect us and binds us together.
I didn't really hear any other music other than what my dad was working on until I was 12. My recollection of hearing other music was that I liked some things that I heard but I always thought, 'Where's the rest of it?' It didn't have the same amount of detail or instrumentation or imagination in the arrangements.
We came here to a country that was populated by Arabs and we are building here a Hebrew, a Jewish state; instead of the Arab villages, Jewish villages were established. You even do not know the names of those villages, and I do not blame you because these villages no longer exist. There is not a single Jewish settlement that was not established in the place of a former Arab Village.
I used to live in a village, and I always loved listening to old people. Unfortunately, it was always women who were talking, because after the war, very few men were around. I spent my entire life living in the village. The village is always talking about itself; people are talking to each other as the village makes sense of itself.
I was on Batman with "Superheavy" or "Zero Year" where there was a lot of fun and bombast, but it was also personal. [In All-Star], I wanted to take that to its complete extreme, like the end of the Earth extreme, where it's over-the-top humorous, yet at the same time really deeply about what I think is of this particular moment in time, at least for me. The things I'm terrified of and the things I'm hopeful about. My life is the page.
A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.
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