A Quote by Sharon Salzberg

My experience working with lots of creative people is that they don't lose their artistic edge when they lose a fierce level of anguish. They just create from a different place.
I got involved in lots of different areas round about 2007, 2008. Just working with lots of different people and stretching myself in different ways. I was working on art projects and working with other writers, just doing bits and pieces, trying to keep busy.
Sports is about people who lose and lose and lose. They lose games; then they lose their jobs. It can be very intriguing.
When I paint to please other people I tend to lose the free spirit creative edge.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
I'm at a strange place I suppose in my life. I think that what happens when you lose a parent, where you lose-you drop into a different kind of serious.
If you lose money you lose much, If you lose friends you lose more, If you lose faith you lose all.
When you lose a spouse, you're a widow or widower; when you lose your parents, you're an orphan. When you lose a child, there's no word in the English language for that position, that place that you're left.
There's no grand excellence to it. In my experience it was just almost the gulaggy boringness of it that'll kill you. You're just in this murk. And you're with other humans, but you lose all your human skills and it's just like you're in this plastic bag and you can't quite connect with people. You lose your ability to transmit electricity or something, and to receive it.
To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures who people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you. It is like losing--I'm sorry, I would rather not go on.
We lose things all the time. We lose ourselves every day. We lose our minds occasionally. But it's just a part of life, loss.
Everything is fleeting and passing and impermanent in life. Relationships, people, our finite physical forms... We let go of our childhoods, we let go of different parts of our body, we lose elasticity in our skin, and we lose hair and we lose teeth.
I've had a bit of experience at lots and lots of different arenas as it were, some of them completely creative, some of them quite technical. The interesting thing is, is that I found that the technical arenas actually are also very creative or can be very creative.
When you are hoping for a call or want something different, I think you lose your edge.
There's something refreshing about going to work with a different group of dancers. There are different ways of moving, different ways in which the institution functions. There's a contrast from place to place, so the variety and the experience of working in a different place feeds me.
You need to feel that the game is important to you. Lose that feeling and you lose your edge. There's no faking that kind of emotion. You can't invent the feeling. It's got to be natural, real.
I'm not able to work anymore as an actor and still at the level I would want to... you start to lose your memory. You start to lose your confidence. You start to lose your invention. So, that's pretty much a closed book for me.
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