A Quote by Sharon Stone
I can't tell you how many doctors try to sell me a facelift. I've even gone as far as having someone talk me into it, but when I went over and looked at pictures of myself, I thought 'What are they going to lift?' . . Frankly, I think that in the art of aging well there's this sexuality to having those imperfections. It's sensual.
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I've been thinking about that a lot too lately, These Days. I think it's becasue I grew up in retail, in costumer service. I grew up having to talk to everybody, having to sell to everybody so now that I can just sell me, it's fun. It's not even a sale, it's really just me being me.
It's hard for women to talk about these things, and for the doctors to really talk about it too, and to even have the knowledge of what's going on. That's why I'm doing this and urging women to speak out and talk to their doctors frankly.
Having that little bit of breathing room to work, and not feeling like it's going to fall apart at any second, has allowed me to recover the feeling I had when I was a little kid, when I was writing stories for fun or drawing pictures for my parents to put on their refrigerator. It was about playing and doing something fun, and kind of making your own little world. And that's how art should feel for me, and how having a little bit more distance between my ass and the ground has helped me.
If you sell yourself short before you even start, you'll never know how far you could have gone. Ambition is a wonderful thing and has gotten me farther than I ever thought I'd go.
You go from having fun doing something to having it become your life without you realizing it. It can be weird and dark, but every single time I have a dark thought that makes me think dark about that, I tell myself, "Stop, you're stupid. This is great."
I thought about how to film something, how to take pictures of it and how to mix it all together. And I was getting that through Patti [Smith] - because she takes pictures, performs, writes; she does so many things, and that was a big inspiration to me. It helped me realized that I'm not just a fashion photographer. I wanted to do all these other artistic things as well, and during filming my mind opened up to those possibilities.
GOING TO WALDEN It isn't very far as highways lie. I might be back by nightfall, having seen The rough pines, and the stones, and the clear water. Friends argue that I might be wiser for it. They do not hear that far-off Yankee whisper: How dull we grow from hurrying here and there! Many have gone, and think me half a fool To miss a day away in the cool country. Maybe. But in a book I read and cherish, Going to Walden is not so easy a thing As a green visit. It is the slow and difficult Trick of living, and finding it where you are.
Having found in many books different methods of going to GOD, and divers practices of the spiritual life, I thought this would serve rather to puzzle me than facilitate what I sought after, which was nothing but how to become wholly GOD'S. This made me resolve to give the all for the all; so after having given myself wholly to GOD, that He might take away my sin, I renounced, for the love of Him, everything that was not He; and I began to live as if there was none but He and I in the world.
People always tell me I'm going to regret not having kids. But what if I have one and then I regret having it? Has anyone thought of that option?
I had white hair when I was 19. I think bleach can be addictive, and before long, you've gone too far with it and can't tell you've got a problem. It was over-processed and genuinely crispy, but I thought I looked amazing.
I'm happy to say that at 62, I think I've reached that point where stuff doesn't bother me as much, and my gratitude level has gone way up, especially having gone through the loss that I've had, and losing so many of the great artists that I was close to. They taught me how to see it with a grain of salt and a lot of humor and perspective.
I think having not only personal connections with friends and family I'm able to pull from, but having a connection with so many people through social media, it also feels like I have a relationship with those people that follow me. And feel that what I'm going through, they've gone through something similar, and that's why we've connected. And they're the ones that make it into that body of work that represents them or that time in their life, because we've found each other.
I don't think of myself as having any freedom when it comes to how 'Monstress' is structured and how the story is going because a comic book has to be even more tightly structured than a novel, because there is no room for mistakes. Once the art is done, the art is done.
Compassion isn't some kind of self-improvement project or ideal that we're trying to live up to. Having compassion starts and ends with having compassion for all those unwanted parts of ourselves, all those imperfections that we don't even want to look at.
I think when people try to use their art for political views, I think they're art becomes smaller, less interesting. And so for me, as an artist, I'm trying to speak about things in a universal way and not be pedantic or small-minded and try to convince other people of my political views. But having said that, every day I live in sort of complete terror because of what I read in the newspaper and what is going on in the world. I'm constantly, as I think many of us are, overwhelmed by the sort of, mass psychosis that's occurring.
To think how far I've come from wrestling in little Adelaide, South Australia, to now having Triple H say nice words about me and putting me over everyone is wild.
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