A Quote by Sharon Stone

It was not always easy because I was always an individual and found it difficult to be one of a group. — © Sharon Stone
It was not always easy because I was always an individual and found it difficult to be one of a group.
It was not always easy because I was always an individual and found it difficult to be one of a group. One person who was very supportive was my father. My mother was great but my father really recognised my individuality and supported me in that
It was not always easy because I was always an individual and found it difficult to be one of a group. One person who was very supportive was my father. My mother was great but my father really recognised my individuality and supported me in that.
The language of the heart--the language which "comes from the heart" and "goes to the heart"--is always simple, always graceful, and always full of power, but no art of rhetoric can teach it. It is at once the easiest and most difficult language--difficult, since it needs a heart to speak it; easy, because its periods though rounded and full of harmony, are still unstudied.
It's difficult to say what attracts one person to another. It's always a combination, isn't it? I've always found people interesting because of the way they think, and a sense of humour is irresistible.
The #? Divine incarnates only in the individual -He or It overshadows the group. The supreme responsibility always lies with the individual. At the exact moment, in the most definite manner Destiny acts and speaks though the individual.
The spiritual process is always individual. You may sit in a group, but only the individual can evolve, only the individual can liberate himself.
It isn’t easy being a brilliant inventor, always alone. Always misunderstood. Easy to turn bitter, make horrible mistakes. People are more difficult to work with than machines. And when you break a person, he can’t be fixed. -Hephaestus
It is a great honor for me to be compared to Henri Cartier-BressonBut I believe there is a very big difference in the way we put ourselves inside the stories we photograph. He always strove for the decisive moment as being the most important. I always work for a group of pictures, to tell a story. If you ask which picture in a story I like most, it is impossible for me to tell you this. I don't work for an individual picture. If I must select one individual picture for a client, it is very difficult for me.
It’s always going to be easy to live like others or other’s life, because creating or innovating something of own is always difficult in comparison to buying or borrowing anything from others.
With this job, always traveling on the plane and everything, I thought it would be really difficult to quit drinking on my own because you're always in situations where it's acceptable to have drinks. So I decided right after a show that I was going to go into treatment. I Googled a bunch of places, and I found this place that I went to in Cape Town, South Africa, called Stepping Stones. I stayed there for a month. It was really difficult-lots of talking and crying.
My natural state is an outsider, and no matter what group I'm in or where I am, I've always felt like I'm outside the group, and I've always been analyzing the group.
All walls fall. Today, tomorrow or in 100 years, they will fall. It's not a solution. The wall isn't a solution. In this moment, Europe is in difficult, it's true. We have to be intelligent, and whoever comes...that migrant flow. It's not easy to find solutions, but with dialogue between nations they should be found. Walls are never solutions. But bridges are, always, always.
As a player it was always not easy to play against Australia. It was always very difficult.
There's nothing easy about writing. It's always difficult. It's always a struggle.
I've played several real characters, and I've always found it very difficult because you don't want to do an impersonation.
I always worked as an individual artist even when Group Material asked me to join the group. There are certain things that I can do by myself that I would never be able to do with Group Material. First of all, they are a totally democratic entity and although you learn a lot from it, and it's very moving, it's very exacting, everything has to be by consensus, which is the beauty of it, but it is much more work. It's worth it 100%. But as an individual artist there are certain things that I want to bring out and express, and the collaborative practice is not conducive to that.
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