I loved old black and white movies, especially the Fred Astaire and Ginger Rogers musicals. I loved everything about them - the songs, the music, the romance and the spectacle. They were real class and I knew that I wanted to be in that world.
As a little girl, I didn't dream of being a ballet dancer; I dreamt of being a movie star like Ginger Rogers and dancing with Fred Astaire. I used to watch the Sunday double-bills on TV and Iong to be part of what seemed a perfect Disneyland world. Astaire was a genius.
After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.
Michael Jackson loved studying the greats. He felt that they could only add to what he did naturally. He was absolutely right. I mean, he studied James Brown for years when he was 10 years old, because the Jackson 5 would open for James. He studied him. He studied Fred Astaire. He loved to watch Fred's movies.
As Gloria Steinem said about Ginger Rogers: She was doing everything Fred Astaire was doing, just doing it backwards in high heels. Well, Southern women are doing and enduring what other women have to do and endure, but (at least until recently) they had to do it in heels and hats and white gloves and makeup and a sweet smile, with maybe a glass of bourbon and a cigarette to get them through the magnolia part of being a steel magnolia.
You sail into the harbor, and Staten Island is on your left, and then you see the Statue of Liberty. This is what everyone in the world has dreams of when they think about New York. And I thought, 'My God, I'm in Heaven. I'll be dancing down Fifth Avenue like Fred Astaire with Ginger Rogers.'
I live in a wonderful world of make-believe. A world of Ginger Rogers and Fred Astaire. A world of Winnie the Pooh and Edward Bear. Things like that. Wonderful things. Funny things.
Because we are human, because we are bound by gravity and the limitations of our bodies, because we live in a world where the news is often bad and the prospects disturbing, there is a need for another world somewhere, a world where Fred Astaire and Ginger Rogers live.
I always loved all kinds of music. I would watch musicals a lot as a kid, on TV, watch the Fred Astaire movies. I'd watch 'The Wizard of Oz.' I was a big Jerry Lewis fan, and they'd have these big bands and someone singing - some siren, or some guy singing some gorgeous song. I was always enamored of that style of music.
When Ginger Rogers danced with Astaire, it was the only time in the movies when you looked at the man, not the woman.
I was kind of a dark kid. I loved Halloween, and I loved vampires and the black and white old monster movies.
I remember vividly seeing 'Tarzan' and Fred Astaire, the Chaplin films, Fred Astaire musicals, MGM, because of my mother. She was just interested in everything and she took me to opera and ballet, and then ballet got me hooked.
My mother loved movies, and I loved movies like she loved movies. So I wanted to do that. I'd send away for movie magazines - the old thing of everybody wanting to be a star or whatever.
While I was making my solo films, RKO was busily trying to get me and Fred Astaire back together. The studio wanted to capitalize on the success of 'Flying Down to Rio' and realized that the pairing of Rogers and Astaire had moneymaking potential.
I knew I loved football before I even played it. Uh, but the first time I stepped out on the field playing for the Lakeshore Redskins, I knew that I loved this game. I knew that this was something I wanted to do. And I was only 6 years old, but I loved it.
I felt Michael Jackson was inspired a little bit more from the elegance of a Fred Astaire. Michael loved Sammy Davis, Jr. and James Brown and Judy Garland and Fred Astaire. But he wasn't any of those people. To be inspired is one thing, but he made it all his own.
Certainly, I've loved musicals for a while, so I did some short films in college that had musical numbers and things like that, so I've kind of been obsessed with Fred and Ginger and Vincente Minnelli and Stanley Donen and Jaques Demy forever.