A Quote by Sharon Van Etten

I started playing, and people responded to it and connected with it and now, I don't even know what I'm really connecting with anymore or if I'm helping people. Now it's more of a business.
Now bands have to sing live, now people watch who sings on the record, now people want to hear the real music and not just plastic bands anymore. So I think we changed the music business to a better, more honest way.
The pace of change for entrepreneurs is rapidly accelerating, and the cost and risk of launching a new business and getting off the ground is just amazing. The ability to gain user feedback really quickly and adapt to what your consumers want is totally different with the web as it is now. But finding a new market, helping people and taking that original idea and turning it into a business is really exciting right now.
When I first started playing, I definitely had a younger scum-punk crowd, but as my music developed more and after I started playing electric guitar - you'd think it would be opposite - but a lot of people were like, "You've changed." And I have more of an older audience now.
But obviously, things have changed in many ways since the '50s, when the show is started, in terms of sexuality, and how much access we have to images of it and information about it. But, the same problems always apply. It doesn't matter whether we know a lot more about sex now or if there's a lot more access to it. The same problems of intimacy, of dealing with other people, of connecting and being vulnerable with other people, which is what the show is ultimately about, still applies now, I think.
I know so many people who actually just watch television on their computers now and don't even really watch their TV anymore.
I'm glad that people have responded well to it, so far. I'm thankful for that. But, I'm also excited now that I have a better grasp of this character than I did before. I want to take it even further and really explore who Glenn is.
Our industry is so technologically driven that often I Skype with directors or send tapes in to people. It's so common now that sometimes even when I'm here I'll be send tapes for things that are based in the U.K. There's never really a right place, right time anymore. Even something that's L.A. based, the director might be in New York or they might be on location in Budapest. I think everyone's really accepting of the fact that people are all over the world all the time. In a funny way, you can be an actor now and live anywhere, so long as you have internet.
What I'm really focused on is connecting people around shared interests, so together they can make good stuff happen. I'm more focused on helping people discover their power as individuals, but through those connections with one another.
Because if you remember - and people forget this - the first two years of Game of Thrones everybody was going, "I don't know what's going on, but I really like it." And you really didn't know what to make of a lot of people, and now it's changed and people aren't really talking about that. Now it's like you're watching West Wing or Friends, you know the characters and you're like, "What in the world is going to happen?"
By flattening time and space, social computing and business is unlocking credible potential within business. For example, individuals and organizations that weren't connected before are now connected together.
The first year I moved to Nashville, I started playing these songwriter nights with people like Nickel Creek, Duncan Sheik, and even Ryan Adams... That was the first place I really started playing music, and I had to really step up my game. Really quick. Or get kicked off the stage.
The most important thing in the world for show business, really, you know everything's a high-tech business, but what people want now is what they can't get - exclusivity.
What we're doing now, it's usually more based on records that I've bought or a projection of what I can do well now and the inner dynamics of playing with the people I'm playing with, Janet Weiss and Joanna Bolme, what we come up with. What works for us doesn't, like, have that much relation to the past.
As for the Folsom Prison show, ... would anybody have the guts to do that show now 50 Cent, maybe I think the whole idea of even playing to a crowd of people like that is so politically unfavorable now - it's like, 'What are you doing, singing for these people Do they deserve it' There's such anger in our culture right now, that kind of grace and forgiveness, we don't see that very often.
People don't really give me much anymore, and for good reason. I have to pay for a lot of stuff now, I can afford a lot more than I ever could before. No one really gives me anything anymore, but it feels good.
I put my filter on, though, and I only see things people I follow [on Twitter] write now. So, I don't even know anymore [ trolls].
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