A Quote by Sharon Zukin
When new businesses open that are trying to attract people with cultural capital or cultural ambitions, they are often more expensive than traditional neighborhood stores and cafés, they offer different products, and they have a different atmosphere. Longtime residents may feel uncomfortable there. Structurally, as a group of gentrifiers gets bigger, there is less room for longtime residents. When it becomes a pattern and you can see the effects, we call that displacement.
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The family is both a biological and a cultural group. It is biologic in sense that it is the best arrangement for begetting children and protecting them while they are dependent. It is a cultural group because it brings into intimate association persons of different age and sex who renew and reshape the folkways of the society into which they are born. The household serves as a "cultural workshop" for the transmission of old traditions and for the creation of new social values.
One of the special characteristics of New York is that it is different from a London or a Paris because it's the financial capital, and the cultural capital, but not the political capital.
As an early advocate for neighborhood policing, I've been heartened to see the tangible impact of police officers spending less time in their station houses and more time on our street corners, developing collaborative relationships with residents and businesses that help us fight and deter crime.
These days, the media is defining what cultural capital is, and it's easily learned. If you have money, anything can be bought. We see this in China and Russia with what I call the "Bling Dynasty and New Oligarchy" in Generation Wealth. As people got rich and everybody started buying Louis Vuitton bags, it became clear that to distinguish yourself you had to have more than an expensive bag. People began to want the things that money is not supposed to be able to buy - history, tradition, education, and culture.
New Jersey boasts the highest percentage of passport holders (68%); Delaware (67%), Alaska (65%), Massachusetts (63%), New York (62%), and California (60%) are close behind. At the opposite end of the spectrum, less than one in five residents of Mississippi are passport holders, and just one in four residents of West Virginia, Kentucky, Alabama, and Arkansas.
I do feel we can create more jobs and opportunities for Jersey City residents, but in the spirit of free enterprise, I do not think it is right to force companies to hire a fixed percentage of local residents.
It's just insane because, as a longtime WWE fan, I still have all of my action figures in storage. Now to have my own, and to see my nephews play with them, to see kids tweet me pictures with them, and to see people are actually going out of their way searching all of these stores trying to find them, it's really cool and humbling.
What is sacred among one people may be ridiculous in another; and what is despised or rejected by one cultural group, may in a different environment become the cornerstone for a great edifice of strange grandeur and beauty.
Los Angeles is one of the four cultural capitals of the world, but we don't attract as many cultural tourists as New York, London or Paris. I want to change that.
The spirit of the West, of America, is different than the East. The cultural conditioning is very different. It seems to be harder for people to work in teams, more difficult for people here to live in harmony, in a monastery.
If someone says that they have to 'tolerate' cultural differences and cultural groupings different from themselves then that may make it difficult, at the same time, to condemn unjust practices within those cultures.
The beauty of when you watch good television or films is that, yes, you may have a multi-cultural cast but those roles could be anybody - they could be white, they could be black. To show the world that we have more in common than we have different with each other is to me the ultimate goal of all of that. It does help unite in people's mind the thought that people are the same. Yes, there's going to be cultural differences, but for the most part, we are all in the same gang as human beings.
We accept it as normal that people who have never been on the land, who have no history or connection to the country, may legally secure the right to come in and, by the very nature of their enterprises, leave in their wake a cultural and physical landscape utterly transformed and desecrated. What's more, in granting such mining concessions, often initially for trivial sums to speculators from distant cities, companies cobbled together with less history than my dog, the government places no cultural or market value on the land itself.
'Mistresses' is about the lives of four women, each going through different versions of infidelity. Their longtime friendship is what gets them through extremely challenging times.
Seeing the world anew, as if it were new, is as old as writing. It's what all painters are trying to do, to see what's there, to see it in a way that renews it. It becomes more and more urgent as the planet gets worn flat and forest after forest is slain to print the paper for people's impressions to be scrawled down on. It becomes harder and harder to be original, to see things with an innocent eye. Innocence is much tied up with it. As the planet gets progressively less innocent, you need a more innocent eye to see it.
All communication is more or less cross-cultural. We learn to use language as we grow up, and growing up in different parts of the country, having different ethnic, religious, or class backgrounds, even just being male or female - all result in different ways of talking.
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