A Quote by Sharyn Alfonsi
Your life will have chapters, complete with crazy characters, villains and a plot you can't even imagine as you sit here today. It's a lot like a Scooby Doo episode.
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When I was a kid, 'Scooby Doo' was, hands down, my favorite cartoon. Even when I was older, when I was in college studying and I needed to tune out for a while, I'd watch 'Scooby Doo.
When I was a kid, 'Scooby Doo' was, hands down, my favorite cartoon. Even when I was older, when I was in college studying and I needed to tune out for a while, I'd watch 'Scooby Doo.'
I just find 'Scooby-Doo' unwatchable. I can't stand it. I like all those other Hanna-Barbera shows about a thousand times more than 'Scooby-Doo.'
My kids are fanatical about 'Scooby-Doo,' and I think that the creators of 'Scooby-Doo' somehow tripped across some kind of magical hypnotic formula that lures children. It's far more fascinating to them than anything else on the air.
My kids are fanatical about 'Scooby-Doo', and I think that the creators of 'Scooby-Doo' somehow tripped across some kind of magical hypnotic formula that lures children. It's far more fascinating to them than anything else on the air.
Plots are artificial. Does your life have a plot? It has characters. There is a narrative. There's a lot of story, a lot of character. But plot? Eh, no.
I look like Scooby-Doo in a beard.
Any plot you impose on your characters will be onomatopoetic: PLOT. I say don't worry about plot. Worry about the characters. Let what they say or do reveal who they are, and be involved in their lives, and keep asking yourself, Now what happens? The development of relationship creates plot.
Everybody has this idea: You have children, and your entire life is complete. That's how I imagine it. I imagine I'll have children and then my whole life will just seem complete.
The writer must always leave room for the characters to grow and change. If you move your characters from plot point to plot point, like painting by the numbers, they often remain stick figures. They will never take on a life of their own. The most exciting thing is when you find a character doing something surprising or unplanned. Like a character saying to me: ‘Hey, Richard, you may think I work for you, but I don’t. I’m my own person.’
Plot comes first. The plot is the archictecture of your novel. You wouldn't build a house without a plan. If I wrote without a plot, it would just be a pile of bricks. Characters are your servants. They must serve your plot.
I don't think plot as a plot means much today. I'd say that everybody has seen every plot twenty times. What they haven't seen is characters and their relation to one another. I don't worry much about plot anymore.
If you mentioned Hanna-Barbera to people, they said, 'Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons,' and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.
If you mentioned Hanna-Barbera to people, they said, "Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons," and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.
I think about the characters I've created, and then I sit down and start typing and see what they will do. There's a lot of subconscious thought that goes on. It amazes me to find out, a few chapters later, why I put someone in a certain place when I did.
I'm sorry I can't get into Scooby Doo on any level.
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