A Quote by Shaun Evans

If I can be dead honest with you, when I first see the script for a new episode of 'Endeavour,' if anything jars, I say, 'What's this? Has it got a place in our story?' And if it hasn't, it has to go.
Our self illusion is so interwoven with personal memories that when we recall an event, we believe we are retrieving a reliable episode from our history like opening a photograph album and examining a snapshot in time. If we then discover the episode never really happened, then our whole self is called into question. But that's only because we are so committed to the illusion that our self is a reliable story in the first place.
I think that I work hard to make my music as a diary for new generations who find out about it years later. They can go through the history and see a trail. It's straight and narrow, you can see the growth and understand that I'm not afraid to give you honesty and be honest about anything that has to do with my story.
We’ll all say that. We’ll all go on and make the place safe. Roads, cities. New sky, new soil. Until it’s all some kind of Siberia or Northwest Territories, and Mars will be gone and we’ll be here, and we’ll wonder why we feel so empty. Why when we look at the land we can never see anything but our own faces.
When we first started to write our first movie, 'You Are Going To Prison,' we wanted it to be crazy and unique, brand new, our voice, not like anything that'd ever been before. It took us about a year to write our first script.
You first and foremost need to be honest with the script because you don't want to do anything to screw up the basic fundamentals of the story. You don't want to create anything overly dramatic when you don't need to, and you don't want to create anything less dramatic than necessary, either.
When I was first told about 'Game of Thrones,' I didn't know the books, anything. So I read the pilot, and when I got the first script, it was clear the story was about these people and families and a constant battle for power.
Speaking of New York as a traveller I have two faults to find with it. In the first place there is nothing to see; and in the second place there is no mode of getting about to see anything.
I remember when we did our first read-through, Sonny [Bono] looks at the script and he goes, "Okay, I'll see you guys later. Chai-ay-oh!" And I said, "It's ciao! Aren't you Italian? C-i-a-o doesn't spell 'chai-ay-oh.'" Sonny's dead, so he won't be embarrassed if I tell that story.
My parameter of judging a script has not changed over the years. I still go for a script where the story interests me. Yes, there are times where I might go wrong; say, out of five scripts, I might go wrong on one.
Everybody here has a story. New Orleans was always a place where people talked too much even if they had nothing to say. Now everyone's got something to say.
We should cultivate the optimistic temperament, and endeavour to see the good that dwells in everything. If we sit down and lament over the imperfection of our bodies and our minds, we profit nothing; it is the heroic endeavour to subdue adverse circumstances that carries our spirit upward.
The first Knightfall story is four issues, and it is extremely focused and intense. People who have read, say, the 'Cats In the Cradle' arc in 'Secret Six' will get some idea of the primal tone of this story. It doesn't let up at all, and it ends in a new place.
New grief, when it came, you could feel filling the air. It took up all the room there was. The place itself, the whole place, became a reminder of the absence of the hurt or the dead or the missing one. I don't believe that grief passes away. It has its time and place forever. More time is added to it; it becomes a story within a story. But grief and griever alike endure.
... we did decide to trust Christ, but the reason we made that decision is that God had first made us spiritually alive. ... God comes to us when we're spiritually dead, when we don't even realize our condition, and gives us the spiritual ability to see our plight and to see the solution in Christ. God comes all the way, not partway, to meet us in our need. When we were dead, He made us alive in Christ. And the first act of that new life is to turn in faith to Jesus.
I got to go to New York Comic-Con. I've never been and I've heard it's crazy, so I'd love to see it. To be quite honest, I'd like for people to want us to be there, too. I'm hoping. I'm knocking on wood, so we'll see.
I thought that our first New York Comic Con for 'Jessica Jones' was epic because we had a pretty major reaction from the crowd after showing our first episode!
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