A Quote by Shaun Ryder

I grew up in the '60s and '70s, where it was still acceptable to say, 'Well, you're not academic, so that's fine, you'll do it some other way.' — © Shaun Ryder
I grew up in the '60s and '70s, where it was still acceptable to say, 'Well, you're not academic, so that's fine, you'll do it some other way.'
I grew up in a small segregated steel town 6o miles outside of Cleveland, my parents grew up in the segregated south. As a family we struggled financially, and I grew up in the '60s and '70s where overt racism ruled the day.
When I was growing up, my mother used to say, 'Don't ever bring no nappy-head Black girl to my house.' In the deep South in the '50s, '60s and '70s, the shade of your Blackness was considered important. So I, unfortunately, grew up hearing that message.
I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.
The United States and Turkey are the only two countries that don't have some kind of subsidy for the Arts. The whole culture in society has made certain films more acceptable. I turned down so many films in the '60s and '70s.
There are some strong female performers out there. But the industry's pre-occupation with the packaging of how a woman looks has gone completely the other way, back to almost the 60s, early 70s.
If you go to Japan, they're still buying vinyl, and they want the education. They know who's playing on what tracks from the '60s and the '70s - who the guitar player is, who the drummer is, who the producer was, what studio it was recorded in. That's how I grew up listening to music. We bought albums. We read the liner notes. It was important to know the whole history behind it.
When I go to small races in Denmark, it's what I imagined what F1 would have been like back in the 60s and 70s. After the 70s it became a bit different. But 50s and 60s at least, people were only there because they love it.
We're all united in this, that every human being migrates through time, that the place we grew up in in our childhood is gone when we're in our 50s and 60s and 70s.
I grew up in the '60s and '70s when men were required to wear a suit, shirt, and tie every day to be taken seriously. I was at the tail end of that generation, and it had a significant impact on me.
For the church to say that abortion is not acceptable for a Catholic is fine. To say directly or indirectly that on something that is a church teaching that you must also vote according to that - that's not acceptable in a country based on the First Amendment.
I was born in the '60s and grew up in the '70s - not exactly the best decade for food in British history. It was horrendous. It was a time when, as a nation, we excelled in art and music and acting and photography and fashion - all creative skills... all apart from cooking.
I definitely grew up differently to most of my friends, and that was a little bit of a struggle then. I wouldn't want to change anything about the way I grew up, even though it was a different situation. I still love the way I grew up, and I had an amazing childhood with a really supportive family.
The 60s were a continuation of the 50s much more than people realized. Certainly in some countries, like Britain, there was still a culture of deference, whereas in the 70s we really are in a time of angry transition. The generation that came into young adulthood in the 70s couldn't find jobs; that wasn't true in my generation. They entered a time when two depressing things hit them both at the same time.
I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent.
I was born in Brazil and grew up in the '70s under a climate of political distress, and I was forced to learn to communicate in a very specific way - in a sort of a semiotic black market. You couldn't really say what you wanted to say; you had to invent ways of doing it. You didn't trust information very much.
I grew up in the '70s, and I hear in my own stuff a lot of what I grew up listening to, which is to say I hear a lot of Billy Joel, Paul McCartney, Carole King, Joni Mitchell and Stevie Wonder.
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