A Quote by Shaun Tan
I became more interested in the idea of being an immigrant and particularly of being in a country you're not familiar with. And so I began reading migrants' stories. The fact that my father is Chinese - he emigrated from Malaysia when he was about 20 - may have had some bearing on my attraction to the subject.
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My grandfather was originally from the south of China before he emigrated to Malaysia pre-World War II. And I wanted to learn more about the history of the country of my ancestors. I knew I wanted a narrative set in contemporary Beijing. I was really interested in the effect of the rapid social and economic change on ordinary citizens in China.
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
I take more to the subject than to my ideas about it. I am not interested in any idea I have had, the subject is so demanding and so important.
Mexico has become a robust democracy with a robust press and an active legislature. It has gone from being a sending country for migrants to a transit country, and increasingly a receiving country for migrants in its own right.
When I was about twenty-one, I published a few poems. Maybe I wrote a couple of stories before, but I really began to write stories in my mid-thirties. My kids were still little, and they were in school and day care, and I had begun to think a lot about wanting to tell some stories and not being able to do it in poetry.
The Chinese are welcome to invest in industries in Malaysia. But just as we would not welcome mass immigration of Indians or Pakistanis or Europeans or Africans into Malaysia, we have to adopt the same stance on Chinese immigration into Malaysia.
First I think I was interested in the stories, and later on, I became more interested in the language itself, so the stories became almost secondary, but it was kind of a background music for my life.
For me, it's more about being there, bearing witness to history, bearing witness to what's happening, what our country, the position our country is taking overseas. I want policy-makers to see the fruits of their decisions, basically, and to try and influence foreign policy.
Being an immigrant mother can be hard, but being a poor immigrant mother is much harder. You don't generally get to sit in cafes polishing your French by reading 'Le Monde.'
There are photographers who push for war because they make stories. They search for a Chinese who has a more Chinese are than the others and they end up finding one. They have him take a typically Chinese pose and surround him with chinoiseries. What have they captured on their film? A Chinese? Definitely not: the idea of the Chinese.
Whether I affect one person or an entire family, or even a group of people, I feel like I have resources and education and ability and skills that some people may not be fortunate enough to acquire. But by sharing and inquiring, being a listener, and being interested in the stories of other people and their lives, I can also pull things out and say "What can I do for them? What can I share with them that may alleviate some of their suffering?"
I was left £50 when I was ten by a fairly distant cousin, which my father invested in GEC shares on my behalf. I became interested in the market and was given some more shares by my father, which is when I began looking to see how the shares were performing and learning how to read company reports, balance sheets, and so on in order to gauge that.
The more I wrote, the more I became a human being. The writing may have seemed monstrous (to some) for it was a violation, but I became a more human individual because of it. I was getting the poison out of my system.
It always surprises me how much my followers appreciate how candid my photos are - they may not have a particularly unique subject, but it's more about the light you shed on the subject than the subject itself.
He wanted nothing, for the time being, except to understand .... Without advice, assistance or plan, he began reading an incongruous assortment of books; he would find some passage which he could not understand in one book, and he would get another on that subject .... There was no order in his reading; but there was order in what remained of it in his mind.
It seemed that the problem of Americans overdosing and dying from drug addiction was being described as bad people, particularly kids, who were abusing good drugs. But Sheila Nevins, the president of HBO Documentary Films, and I were particularly interested in finding out the stories of people and families who had been ravaged by this disease of addiction and understanding what really was happening. What we found was that, and let's not make any mistake about it, this is an epidemic of addiction.
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