A Quote by Shaun Tan

Sometimes I write captions on the in-flight magazines and then replace them in the seat pocket. — © Shaun Tan
Sometimes I write captions on the in-flight magazines and then replace them in the seat pocket.
Now I am a writer who can command fairly good payments from magazines with large circulations, I very often refuse to write for them and still write sometimes for small magazines for nothing.
I love the architecture magazines and all of the French magazines for decoration or whatever. I end up enjoying them more sometimes than the fashion magazines.
I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist
I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist.
I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'
I learned that I was able to focus. I've always thought of myself as somebody who is like either it's there or it isn't there. I really worked at this, and I focused, and I was able to replace self-doubt with focus. That was something new for me to say self-doubt is there, but it does not need to be in the front row. You can ask it to take a back seat and replace that front row seat with focus.
When I started publishing, I got offers to write for big magazines. But I would always say, "Well, it's not that I don't want to write for these big magazines, but you can't edit it."
I'm always in the kitchen, cooking and experimenting - I love it. And every now and then I think, 'I should write a cookbook' or, 'I should write for food magazines.' And then I get drawn back to writing fiction again.
You cannot see what I see because you see what you see. You cannot know what I know because you know what you know. What I see and what I know cannot be added to what you see and what you know because they are not of the same kind. Neither can it replace what you see and what you know, because that would be to replace you yourself." "Hang on, can I write this down?" said Arthur, excitedly fumbling in his pocket for a pencil.
I've always thought flight was fun and wanted to write about flight, and I knew a lot of househusbands who were having a really bad time with it. I thought flight might perk up a marriage here or there.
It's very nice when you're checking onto a flight and the person behind the desk suddenly upgrades your seat for you and then hands you back the boarding pass and says, 'It's my favorite movie.'
To me, in life, if there's, like, a rule, and I think it's ridiculous, then of course I'll circumvent that but also point out how ridiculous the rule is. Other than that, if I go to a concert, and my seat is Row G, Seat 12, I'm sitting in Row G, Seat 12. I don't care if I'm with five other friends, I'm supposed to be in Seat 12, that's my seat.
I naturally own a lot of very old magazines. And I enjoy going to old magazines because the advertisements in those magazines tended to have thousands of words of copy in them.
Some magazines are run from the top down, where the editor-in-chief decides what every article is going to be and who's going to write them, and then they're doled out. My idea is to do it the opposite way, to do it from the bottom up.
Grace. Loss. Fortune. Hardship. Victory. Sometimes the worst seat is best seat in the house and it comes as a result of leading.
I guess what people forget sometimes is that when I write songs, I write them sometimes in about 20 minutes.
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