A Quote by Shaun Tan
It's only a very small percentage of creative thinking that ends up connecting with a wider audience, and even then, any success is quite unpredictable.
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My writing process is very feedback-based. When I do stand-up, I listen to the audience. I try to understand what's connecting, what's not connecting, and then rewrite, rewrite and rewrite.
Only a very small percentage can regard conditions from any but a selfish point of view or conceive of any but their own shoe-pinch.
I grew up in a very small country town, so I was exposed to horses at quite a young age, but I used to cry and run; they seemed so powerful and so unpredictable.
It's very easy for me to say what success is. I think success is connecting with an audience who understands you and having a dialogue with them. I think success is continuing to push yourself forward creatively and not sort of becoming a caricature of yourself.
Fame is directly related to the kind of support you have from an audience and the love and support I have from audience is so immense and so huge, that the percentage of negativity is so small compared to that that it would be very easy for it to lose itself.
Whatever creative success I gained was due to my belief that creative power can be stepped up by effort, and that there are ways in which we can guide our creative thinking.
The ones that catch your eye are the ones that are basically people who live on the road and follow us around. They're a small percentage of the audience, but they're quite visible. The ones who aren't visible are the stockbrokers, lawyers, doctors, housewives.
Well, I quite like animals, but theyre unpredictable. I mean, look at old whats-his-name in Vegas. Tiger dragged him off the stage, you know? The guy brought up tigers. Theyre quite unpredictable.
Collecting the dots. Then connecting them. And then sharing the connections with those around you. This is how a creative human works. Collecting, connecting, sharing.
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
The way America works, and the way L.A. works, is a very small percentage of people get what they want out of life, and a much greater percentage try very very hard and they don't. That's just the way it is.
TV is still a 'push' medium - we are broadcasting into any home or business with basic cable, and depending on what's happening in the world, we have a wider audience, from news junkies to very sporadic viewers. On TV, you want your reporting to be valuable to that entire audience and be relevant.
In the beginning there was only a small amount of injustice abroad in the world, but everyone who came afterwards added their portion, always thinking it was very small and unimportant, and look where we have ended up today.
Any president's second term ends up being quite messy. It never goes quite according to plan.
The percentage of people that go to drama college in the U.K. is probably just like anywhere in the world. It's a very hard business to work in. They say that, at any one time, there's only 5% of actors in the world that are actually working and getting paid, which is a shocking percentage, really.
My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.
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