A Quote by Shavo Odadjian

We want to sound like a band you can't clone or even categorize. We like to throw everyone off. — © Shavo Odadjian
We want to sound like a band you can't clone or even categorize. We like to throw everyone off.
You write a song; you know what you want it to sound like. With a band like ours, it's more about the collective. It's important everyone feels expressed and represented.
There's always a Van der Graaf audience that wants to hear the band's sound. And totally fair enough. Why not? It's a band. You like the band, you like the band.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
The Tragically Hip, more so than any other band I've worked with, approach their work like a team. This might sound way too pat, but they're like a great hockey team: all five of them have their roles. They go at their shows like an athletic event; they're in it to win it, and they'll lay it out there on the proverbial ice in order to win and get the crowd on their side. You can't do that when you just throw a band together. There's a sixth sense there that makes it easy.
Everyone has a fantasy of what they want their band to sound like. However, because I knew nothing about making music, I was unable to describe what I wanted properly.
Oh my gosh! I can't tell you the number of times people have put autotune on my voice, and I'm like, 'Please take it off!' You don't even sound human; it makes you sound like a robot!
Prince didn't want to sound like Michael Jackson. Neither of them wanted to sound like Luther Vandross. They didn't want to sound like David Bowie. They were all different, but brilliant.
I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
I brought the music out to L.A., and the producer Tommy LaPuma heard it and he said - "Man, I love it. Let's do it. Let's record it." I said, "Okay, where's the band?" He said, "We don't have a band. We want it to sound exactly like your demo." I said, "Well, I played all the instruments on the demo." You do that when you're making demos. You got your guitar, you got your sax. He said, "Well, I want it to sound just like that, so get all your instruments out here." So I ended up playing all the instruments.
I know what it takes to make a band, how they should interact, what makes a record sound like it's a band - everything having to do with a band, I happen to be into.
I enjoy making music alone, and I like keeping my options open for how I release my own songs. But everybody in Grizzly Bear is full of ideas. So it's kind of boring to come to the band with a complete song and be like: "Here's what I want you to do." With this record, we wanted to make everything feel like everyone - music that we could never do on our own. That's a real gift, and it's one of the best things about being in a band like this.
I have a lot of creative control, so I can decide what I want to wear, what I want my brand to look like, what I want my songs to sound like, so I don't sound like some fake artist that people can't relate to.
Everyone dreams of being in a band because they want to be like the Beatles, but even the Beatles weren't always that happy.
I don't miss anything ever. Because to me, missing something is like going backward a little bit. I don't miss being in a punk band. For me, 'SNL' is like... this is gonna sound overly dramatic, but... the way I am, it feels like I'm a soldier, so it was like, 'What do you want me to do? Put me anywhere. Do you want me to do these sketches? Great.'
I want to be stereotyped. I want to be classified. I want to be a clone. I want to be masochistic. I want to be sadistic. I want a Suburban Home. I don't want no hipppie pad; I want a house just like Mom and Dad.
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