A Quote by Shavo Odadjian

I don't want every member of System to have their own label. It will be like a circus. — © Shavo Odadjian
I don't want every member of System to have their own label. It will be like a circus.
I've said it from the very beginning: Fighting the best guys in the world doesn't pay as good as the circus. I want to join the circus. I'm trying to get that circus money.
Poets and painters are outside the class system, or rather they constitute a special class of their own, like the circus people and the Gypsies.
Every member of Congress and every Senator kind of runs their own race with their own message because they don't want to necessarily have dictated from the White House what that message should be.
When I was a kid I joined the circus. I did that. It is true. But it's not like you think. There was a guy, he had his own circus. His name was Carol Jacobs and he owned it. It was a small thing.
I was born and raised in New York and I'm of an age where I want to just be home. But, you know, when you sign up to be an actor it's like joining the circus and the circus is not always going to be in your hometown.
As a label I don't care about piracy. I want the music that we [my band] love to be heard by as many people as possible. The more people like the music we put out, the better the label and artists will do. If anyone genuinely likes what we do they will find us, buy our vinyl or come to see the artists play live.
That's the best thing about being with an indie label, it feels like a family. If it's a major label, they put so much pressure on every single.
When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice. I know everybody mentions Azzedine Alaïa, but he's been going for a long time in the system - showing to people, selling to clients - and I think it's admirable how he's transformed it into his own system in a way, but it's still a system.
National Geographic contacted me about getting on their label, and I was like, 'Wow, I want to be label mates with the sharks and lemurs!'
If you want to fight in the UFC, you've got to realize that you are just an elephant in the circus. As soon as you ask for more peanuts, you have to go find a different circus.
I find I think of myself not as a writer so much as someone who provides a gateway, a tangential route for readers to reach the circus. To visit the circus again, if only in their minds, when they are unable to attend it physically. I relay it through printed words on crumpled newsprint, words that they can read again and again, returning to the circus whenever they wish, regardless of time of day or physical location. Transporting them at will. When put that way, it sounds rather like magic, doesn't it? p.369
I want to invest and have my own record label and artists. I want to have a business where my kids, kids, kids will still have something going on long after I'm gone.
The beauty of running your own label and your own show is that you are in charge. I get sent a huge amount of musicfrom new and established talent every day, so if I like a track, I play it - no questions asked.
When I was younger, I wanted to own a circus and create this bizarre revue that went from town to town. I suppose, in a way, I got my wish because when you're working on a film, you're in a traveling circus.
I feel like it's important for me to expand, to create my own label. With a label, I can just give someone the opportunity that I was given, you know? That's what it's all about, just helping.
We must share the gospel with others. That is our responsibility-every member a missionary. That is the call of prophets of God. ...Member-missionary work is one of the great keys to the individual growth of our members. It is my conviction that member-missionary work will raise the spirituality in any ward where applied
This site uses cookies to ensure you get the best experience. More info...
Got it!