A Quote by Shavo Odadjian

We're four guys that play music. We're not a part of any genre. We just happened to have come out in 1998. — © Shavo Odadjian
We're four guys that play music. We're not a part of any genre. We just happened to have come out in 1998.
I've been spinning dance music since 1990, and genres always come and go. I think as technology becomes more accessible and it's easier for people to make music, they come and go quicker now, but it just comes with the territory. You come up with something new, something hot, and it rocks for a year. It's nothing different from any other genre of music. I mean, name one genre that's sounded the same for its entire existence. It doesn't happen.
But ya know what, I am a part of something that happened. I'm a part of the music that happened. My voice is one more instrument, is what it is. So that's the way I feel about people who play on sessions.
But ya know what, I am a part of something that happened. I'm a part of the music that happened. My voice is one more instrument, is what it is. So that's the way I feel about people who “play on sessions.
The qualifying system helps the top guys like Sergio Garcia, who play most of their golf in the U.S. They can rely on the world rankings and just play their four extra events [with the four majors and three World Golf Championship events counting as seven European events]. But for the other guys it's tough, and I don't know if that can be changed. It is a tricky situation.
It's just part of whatever motivates guys and whatever they say. Ultimately it comes down to how well you play. What I've learned over the years, a lot of guys talk. What you need to do is go out there and play, back it up. They've been able to back it up, so that's why it works for them. Hopefully we can go out there and do our talking on the field.
I've gone periods of maybe four months without writing anything, but it's not a problem. It just means something's building inside you, and it'll build and it'll build, and at some point it'll come out, and it does, and it usually comes out in three or four songs, and you play it that way, really.
I don't need to tell any one of you guys that I can do what I can do. I'll just show it to you guys, and if you want a little sneak peak, come watch me work out. That's how I do my thing.
I don't even listen to the records after they come out. It's outlawed in my house. My wife and my kids can't play any of my music around me. Once it comes out, for me, it's just business. Numbers.
I genre-hop quite a lot. I love manipulating genre and deconstructing it and making it irrelevant. Genreless music is great because it means you get to write in any genre that you like.
I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.
Drake come out there and he play his music and everybody just go crazy. Michael Jackson come out there and breathe.
For me the music community was always like a model for what could be. The way people would play together, just harmony and being - old guys and young guys, black guys and white guys. It was setting an example for what the rest of us could be.
Hip-hop is a beautiful thing. I think that the music genre itself has created more millionaires than any other music genre before it, especially in our community.
Ringo is one of the world's true humans. The only one out those four guys, who did not have an agenda. Ringo was just into the music.
I found out about college radio and this whole noise genre blew me away. When I saw that guys could just get up there and have no traditional music ability and be in a band, it was really appealing to me.
I never have a genre in mind when I'm making music because I just like to be free. I feel that placing a genre on your music is limiting yourself.
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