A Quote by Shavo Odadjian

A band is a real band if they can play not just their songs, but they can just play. — © Shavo Odadjian
A band is a real band if they can play not just their songs, but they can just play.

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I write these songs and I like the idea of letting the band interpret it as they will. This band is like any band; it's not just me. This isn't just a way for me to play my songs. There are four distinct artistic voices, and they deserve to be expressed.
In high school no guys wanted to be in a band with me unless I was going to play bass or play grindcore or be in a scream-o band, so it was fun to finally have that experience of having my songs backed by a drummer and a bassist who were just as excited about it as I was.
The act of the being in the band has very little in common with writing songs. The songs come out of it, and the band is necessary for the songs to emerge, but the band doesn't exist just so the songs can emerge.
I can't just play in a rock band. The National is a great, exciting band to play in. We improvise a lot onstage, and it's very intense, but after a while, I crave other kinds of experiences.
I hope that the next time you go to a concert, the band doesn't play the song you wanna hear! And instead, they just play songs off their new album!
I play Rock Band, which is Guitar Hero times ten. You can play with four people, so when you have parties, you have a real band. Nobody ever wants to sing, so I'm always the one throwing down on the mic.
When you open for a band, you don't play one of their songs. You just don't do that.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
The reason I don't play any of the old songs is because I really honor my old band, and I think that those songs are best served within the context of that band.
A band can be so much more than just a way to play songs.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.
The songs were there before the band was there, and it's my songs. And it's like, we're not in the 1950s. We can't call ourselves, like, 'The Revolvers' - it just doesn't work that way. And 'The Lukas Graham Band' just sounded wrong.
When my sister and I were kids, swimming down in Charleston, there was this pizza parlor that had this old Dixieland band play, and I just loved Louis Armstrong and the sound of his voice, and I got up there with the band and started singing Louis Armstrong songs when I was a kid. I have no idea why, but I did it and I loved it.
It's largely a misconception that Tame Impala is a band. We play as a band on stage, but it's really not how it is at all on the album. The album is just me.
I was going through a period where I was just trying not to write songs and was thinking maybe I wouldn't play in a band and make records anymore.
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