A Quote by Shawn Anthony Levy
Because to me, what is interesting about this movie [Real Steel] is its combination of relationship naturalism with. It's like a single conceit movie. The world and the people are very much the way we know them to be, but this sport has evolved.
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As opposed to a movie [Real Steel] where everything feels fantastical, it was really important to me, and I recognise it's not the first movie with robots in it, but that blend of naturalism in performance, writing and design with the futurism of this sport. That was the idea.
That story about the two women in my life is - a lot of people get upset, a lot of people question it. Steven Soderbergh said to me, "The story of your life is incredible. The real story of your life that's interesting, more interesting than all the other stuff - the franchises, the movies, the songs, Elvis Presley, Frank Sinatra - the real thing that's interesting and unbelievable is the relationship with these two women. And if you're willing to put that out there, you know then, you're going to have a great movie. Because that's the movie."
I have lots of favorites movies. I say this only because it's a favorite movie because it's a sport I love. I'm a huge baseball fan. There are movies I like as much as this, but I sort of single this movie out because I'm a baseball nut, and that's 'Field of Dreams.'
I do think, even though I've made these genre movies, there's what happens in the movie and then there's what the movie's about. And for me, what the movie's about is so much more interesting.
Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.
We know it's being referred to as the robot boxing movie [Real Steel], but truth is, 70% of the movie is the relationships.
For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years, then they can do a movie about it.
It would be impossible to accept naturalism itself if we really and consistently believed naturalism. For naturalism is a system of thought. But for naturalism all thoughts are mere events with irrational causes. It is, to me at any rate, impossible to regard the thoughts which make up naturalism in that way and, at the same time, regard them as a real insight into external reality...If it is true, then we can know no truths. It cuts its own throat.
Sometimes I feel like every movie I make could be the last. I know that's not really the case, but if I think about it that way and I'm very careful, then maybe I can build a career, movie by movie, that I'm happy with.
The things that scare me are real life situations. Real life is much more scary than anything you can put on the movie screen. Which is why I get very upset when people try to blame the movies for the violence in this world. I'm like 'Are you kidding me?'. There is more violence in a four hour period on CNN than any movie I have in my massive collection.
I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.
I'm not a movie star like other actors in the way that I need to walk around with a bodyguard. My goal is just to get some interesting parts and make enough money to live free. Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it. I want to go to the terrace of a café, have a coffee. I have no problems with the fact that people recognize me, I'm very glad about it, but to be a movie star is kind of unreal for me.
What I think is dreadful about art is the way it's related to the money afterward. Not when you do it... But after that, it's like 5,000 rich people have access to it. A movie, even though it can be a bad movie or a good movie, it is more democratic. The people who buy my films, the people who buy my installations it's sometimes a foundation or a museum. When it's a foundation, it's related to very, very, very rich people - who are your enemies! Your enemies are feeding you. But you're not meeting them. So it's a very strange thing.
I don’t know if I’d do an action movie because I don’t know if I could keep a straight face honestly, I just think it’s so silly. Like I love watching them but I can’t imagine me doing one. Actually, you know what I’ve done, just for fun because I didn’t think there was any way that I could be in a superhero movie, so I’ve done a scene in the new “Thor” movie, just for that. I just do like one scene, which was quite fun.
I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. The way I write is about life and is quite truthful, and there is a kind of brutal side to the relationship, and to the feelings, that makes it somewhat painful, but I think it's a very intense portrait of the relationship of two people. And a bit about what people feel like when they're alone, because it all takes place in one day, and during the day, they spend a lot of time alone in their different - you get to imagine what their fantasy lives are like.
Of course I know my characters are unlikable sometimes or have prejudices. It's not as if I'm thinking they're so endearing all the time. I guess it's much more interesting to me to write someone who is a combination of good and bad qualities because that's what people are like in real life.
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