A Quote by Shawn Colvin

My music is basically perceived as folk or softer rock. — © Shawn Colvin
My music is basically perceived as folk or softer rock.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.
Meghdhanush has brought the newer generation close to folk music with their personal touch of rock and they definitely rock at it.
When I was a kid, I was interested in folk music. But rock represented power, and I became the best rock guitarist in my school.
If someone asked what kind of music I play, I wouldn't say I'm a folk singer; however, if folk music means music for the people, and playing music to entertain them and share different messages, then sure, I'd like to think that I'm part folk singer.
It's impossible to tell how you're perceived. I think it's important not to think about it too much, because it really means nothing. Some people think we're a rock band, and that's ridiculous, and the idea of us being a folk band - you sit in a pub in Ireland and hear those guys play, and you're like, 'Yeah, we're definitely not a folk band.'
There are two types of folk music: quiet folk music and loud folk music. I play both.
Folk music has been our popular music... There is a myth that youngsters only like heavy metal or rock music, but that's not true.
I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.
One of my problems is I'm not really sure if I slot into rock or not. I've always tried to combine world music, folk, jazz, blues and rock, and have done since Traffic.
Sixties folk rock was my original muse and the folk audience-people who listen to music off the beaten track-fostered my career. I definitely don't want to abandon the genre but I also need to make sure I'm Dar Williams first.
The way I see it, rock & roll is folk music. Street music. It isn't taught in school. It has to be picked up.
I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'
The thing that is making jazz healthy today is that people are coming out of other backgrounds - from rock, folk, from ethnic music. It's changing the music, and for the better.
When I was a teenager, I really didn't like loud rock music. I listened to jazz and blues and folk music. I've always preferred acoustic music. And it was only, I suppose, by the time Jethro Tull was getting underway that we did let the music begin to have a harder edge, in particular with the electric guitar being alongside the flute.
I wanted to rewrite how rock music was perceived.
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