Our first record as the Veronicas was a big mainstream success. Maybe if we'd had the indie record first, then the breakout record, it would have been supported by Triple J.
I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.
I would have to say that my very first encounter with the arts was when my mother bought me my first record player when I was six years old as well as a Karen Carpenter record.
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
I think the first big chance I ever got was I was one of the opening acts for UTFO and 'Roxanne Roxanne,' that whole thing. And I come on stage, it's like 5000 people in the Oakland convention center, I'd never had a record in my life, I'd never had anything in a record store.
I met Arcade Fire on their first record, 'Funeral.' I loved that record, and it was a record I was listening to while I wrote 'Where the Wild Things Are.' Those songs - especially 'Wake Up' and 'Neighbourhood' - there's a lot of that record that's about childhood.
If we win all those fights, and now let's say the income gap, and the wealth gap, and the education gap have for the most part been closed - let's say hypothetically, , first of all, America as a whole would be a lot richer.
To me, the whole thing with the roots of rap music was when the DJ had to supply all the music for the group with two turntables. And the whole criteria of what that DJ would use had nothing to do with what type of band made a record.
I love the Bach Prelude No. 2 in C Minor and had that stuck in my head: why don't I put this on Imaginaryland? So I brought it to my friend Tom Grimley who recorded That Dog's first record. I played him all my a cappella pieces, and he said, "P, you should really make a record, it would be great! You can record it at my studio and I'll put it out!"
Being able to give someone a hug from the heart, it's healing. It's healing for yourself and healing for others, and we need a lot of that.
Alric looked up at the thief with a scowl. “I just want to say for the record that as far as royal protectors go, you’re not very good.” “It’s my first day,” Royce replied dryly. “And already I’m trapped in a timeless prison. I shudder to think what might have happened if you had a whole week.
The first album is a special one for most bands or most artists in general. The first record is your whole life, and then after that you have a couple of months to write stuff and get it for the next record.
I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.
I think what President [Barack] Obama has done is to chart a steady course. When I was there, the first four years we had a lot of cleanup to do. We inherited a lot of bad feelings from the [George W.] Bush administration, and much of what I spent my time doing was traveling around the world reassuring friends and allies.
There were a lot of bad feelings when Lindsey first left the band. But there's been a lot of healing going on, growing up, maturing. The bond is a great deal stronger than what we first thought.
We've had some huge moments. But we've always been on a steady, gentle, upward slope, and I think that keeps us grounded. There's been no overnight success here, and we haven't dealt with a whole lot of hot and cold.