A Quote by Shawn Crahan
Believe me, I go and go, 'cause I know how short life is, and I know how very blessed all of us are to be here and how very short it is.
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Mortality is, in reality, a very, very short period. It is literally a snap of the fingers compared to an eternity. It is so short that we can do it. We can prevail. Why, you can stand your foot in a vise for a while if you know it's going to be released soon. Yes, earthly probation is short compared to eternity, but so very much is riding on how we handle the trials and temptations of the flesh.
How did we go - in a relatively short amount of time - from Audrey Hepburn to Kim Kardashian? I don't know how that happened. Like did we all collectively slip and hit our heads as a society? Why are we accepting garbage as nourishment? I don't know what's going on.
I was never able to analyze my own performance that way I can now. I've realized why certain actors work. I think I'm very in control of what I do in there now. I know how to listen, how to make it real and how not to go to jokes, but to go for a sense of reality.
You know, episodic TV directing is a very long and arduous job. You have very short schedules, short short shooting days, and you have to get lot of pages done.
There is no separate art of life. If you know how to allow poetry, if you know how to allow dance, if you know how to allow love - if you know how to ALLOW, then you know the art of life. In the allowing, in the let-go, in the surrender, is the art of life. How not to be and to let God be - that is the only art of life.
Every one of us has learned how to send emails on Sunday night. But how many of us know how to go a movie on Monday afternoon. You've unbalanced your life without balancing it with someone else.
Life and death matters, yes. And the question of how to behave in this world, how to go in the face of everything. Time is short and the water is rising.
I don't know exactly what a prayer is. I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed, how to stroll through the fields, which is what I have been doing all day. Tell me, what else should I have done? Doesn't everything die at last, and too soon? Tell me, what is it you plan to do with your one wild and precious life?
When you look at what [new generation] believe in, how they value diversity, how they believe in science, how they care about the environment, how they believe in, you know, everybody getting a fair shot, how they believe in not discriminating against people for sexual orientation and you know, their belief that we have to work with other countries to create a more peaceful world and to alleviate poverty, that's the majority an entire generation that's coming up behind us.
I believe comedy should be free to go anywhere. I believe that there is tasteful and untasteful, I think they're very close to each other, and it's how you handle it tonally. But I'm an equal opportunity offender. I'm happy to go at anything that has a cause to be laughed at.
My life is fair game for anybody. I spent an unhappy, penniless childhood in Brooklyn. I had to slug my way up in a town called Hollywood where people love to trample you to death. I don't relax because I don't know how. I don't want to know how. Life is too short to relax.
It seems that the more places I see and experience, the bigger I realize the world to be. The more I become aware of, the more I realize how relatively little I know of it, how many places I have still to go, how much more there is to learn. Maybe that's enlightenment enough - to know that there is no final resting place of the mind, no moment of smug clarity. Perhaps wisdom, at least for me, means realizing how small I am, and unwise, and how far I have yet to go.
Life is very, very short, and you can choose to live it how you want.
Ironically the very energy, the very basis of how we know what we know, has been reliant on having an energy source [necessary] to build rockets to go to the moon and Mars, to support airplanes that fly, and satellites to give us our communication.
I am very comfortable saying what I believe I can do, being very specific about how we will do it, how we will pay for it, and having people know that I want them to hold me accountable.
My great strength as an editor, I believe, is structure: I know how to reorder a piece, I know how to reach into a jumbled story and extract the important narrative. And I can do both of these things very fast. I also think I've become better at cutting text. You don't always relish it, of course, but by now I know how to distill something without sacrificing its essence.
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