A Quote by Shawn Crahan

No, there's other actor who could play The Clown in Slipknot. — © Shawn Crahan
No, there's other actor who could play The Clown in Slipknot.
I have a ton of Slipknot demos that I have at home. Maybe some day they'll surface; maybe they'll never be heard, but I don't translate them to any other band: they still stay in the Slipknot safe. I won't use them for anyone else besides Slipknot, if that ever happens again.
Be a clown , be a clown, All the world loves a clown. Act the fool , play the calf, And you'll always have the last laugh .
That straight man character is a short trip between comedy and drama in a project, so I can play the comedic beat on the same page as a dramatic beat. It gives me a lot of freedom as an actor to play scenes in multiple ways because I don't play the clown, nor do I play someone who is particularly maudlin.
If I wasn't an actor and I watched my films, I could easily be like 'This guy's a clown,' you know?
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
What I loved about wrestling was just being foolish, so I studied clown. I studied clown. I studied the art of clown. I actually did my thesis on clown.
People that like Slipknot that could care less about Stone Sour, people that like Stone Sour that don't know a lot of Slipknot.
I was never the class clown or put on shows at home. I never thought of acting as something I could do with my life. When I was a kid, I used to run around wrapped in toilet paper so I could be the Mummy. But that wasn't a sign that I was dreaming of being an actor. I was just an odd child.
We're closer friends in Stone Sour than I am with the guys in Slipknot and that makes life a lot easier. I'm not trying to take anything away from Slipknot.
My ideas are a curse. They spring from a radical discontent with the awful order of things. I play clown. I play carpenter. I play nurse. I play witch.
I took a couple of classes in clowning, but that was more like Lucille Ball kind of slapstick, not Ringling Brothers. But we had to do things silently, and the teacher would do this running commentary. 'Does this make Clown sad? Oh, Clown doesn't like that, does Clown?' Always 'Clown.' Never a name.
Only comedians can talk about death, life, God and Virgin Mary. If I was a tragic actor, I couldn't allow myself. But with this accent I can do it. I can talk with death in person because I am a clown. Yes. And I am proud to be a clown - very much.
The only tool we have as artists is selectivity. If you're a painter, you select the color, the lines, how severe they should be. As an actor you develop how angry you should be. You select how angry you should be. You listen to the other actor and then you react. In film, sometimes the other actor isn't even there. You have to play the scene. What I do is I call on my experience on the stage. I play the scene and I hope that I reach a certain level of integrity because that's what I learned on the stage.
A popular character in old Italian plays, who imitated with ludicrous incompetence the "buffone", or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play.
I wasn't a class clown, I never developed this comedic flair as a kid. Even when I decided to become an actor, it was just to be an actor, not necessarily a comedic actor. I wasn't that guy who struck out with women so he became really funny, and that's when the women started to like him.
I look at my early career, and you know, when I left drama school, for a young Asian actor, you could either play a doctor on 'Holby City,' or you could play a terrorist in 'Spooks' and get to wear a nice shiny suit.
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